IMAGE / BIOGRAPHY
| born 1961 | Buenos Aires, Argentina | |
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| Education | ||
| The Whitney Independent Studies Program, New York The School of the Art Institute of Chicago The Banff Center School of Fine Arts, Banff, Canada The Ontario College of Art, Toronto, Canada |
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| Solo Exhibitions | ||
| 2008 | "Palm Pavillon," kurimanzutto, Mexico City (forthcoming) "Foster, You're Dead," Galleria Emi Fontana, Milan, Italy, with Neil Logan |
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| 2007 | An Untitled Concert, untitled 2007 (orchestral score for luis bunuel), Theater Basel, Basel Untitled 1992 (Free), David Zwirner Gallery, New York, with Gordon Matta-Clark "Stories Are Propaganda," Friedrich Petzel Gallery, New York, with Philippe Parreno Brychcy Bar, Ontario College of Art and Design, Ontario, Canada |
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| 2006 | "Brychy Bar", Gavin Brown's enterprise, New York "Demonstration Drawings", 1301PE, Los Angeles, US "Philippe Parreno & Rirkrit Tiravanija", Friedrich Petzel gallery, NY, USA Galerie Chantal Crousel, Paris, France |
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| 2005 | "Magazine station no. 4", neugerriemschneider, Berlin, Germany "A Retrospective (tomorrow is another fine day)", Serpentine Gallery, London (cat.) "Une Rétrospective (Tomorrow Is Another Fine Day)", Musée d'Art Moderne de la Ville de Paris/ARC, Paris, France (cat.) "Rirkrit Tiravanija", The Hugo Boss Prize 2004, Guggenheim Museum, New York |
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| 2004 | "Tomorrow Is Another Fine Day", Museum Boijmans van Beuningen, Rotterdam, (cat.) "Retrospective", Museum Bojmans Van Beuningen, Rotterdam, Netherlands (cat.) "Gordon Matta-Clark-In the Belly of Anachitect (with Pierre Huyghe & Pamela M. Lee)", Portikus, Frankfurt am Main, Germany (brochure) "Nothing", CMU Art Museum, Chiang Mai, Thailand "Social Pudding, Rirkrit Tiravanija and Superflex", 1301PE, Los Angeles, CA |
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| 2003 | "Demo Station No. 4", Ikon Gallery, Birmingham, UK "In the Future Everything Will Be Chrome", Gavin Browns enterprise, New York, NY "Social Pudding", Galerie fur Zeitgenossische Kunst, Leipzig, Germany |
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| 2002 | "Untitled 2002 (He Promised)", Secession, Vienna, Austria (cat.) "Untitled 2002 (The Raw & The Cooked)", City Opera Gallery, Tokyo, Japan Demonstration, Sumida River Project, Asahi Beer, Tokyo "Ver station no 2", Astrup Fearnley Museum of Modern Art, Oslo |
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| 2001 | "Rirkrit Tiravanija - Over Magazine", Oslo Kunsthall, Oslo, Norway "no fire no ashes", neugerriemschneider, Berlin, Germany "untitled - the two sons of Mönchengladbach", Städtisches Museum Abteiberg, Mönchengladbach, Germany GAM, Turin, Italy "DemoStation", Portikus, Frankfurt am Main, Germany "Rirkrit Tiravanija", Kunstverein Wolfsburg, Germany "Passage Cosmo", CCA Kitakyushu Project Gallery, Kitakyushu, Japan |
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| 2000 | "untitled, 2000 (Over office II)", Galleria Emi Fontana, Milano, Italy "untitled, 2000 (Over office I)", Gallery Side 2, Tokyo, Japan "untitled, 2000 (Demonstrate)", Galeria Salvador Diaz, Madrid, Spain |
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| 1999 | "Community Cinema for a Quit Intersection (Against Oldenburg)", The Moden Institute, Glasgow, UK Helga Maria Klosterfelde, Hambrug, Germany "Dom-Ino Effect", Los Angeles County Museum of Art, Los Angeles, CA "Untitled, 1999 (mobile home)", la Caixa, Barcelona, Spain "Untitled, 1999 (tommorrow can shut up and Go away)", Gavin Brown's enterprise, New York, NY "Untitled, 1999 (reading from right to left)", Wexner Center for the Arts, Columbus, OH |
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| 1998 | Galerie Micheline Szwajcer, Antwerp, Belgium "Untitled, 1998 (Das Soziale Kapital)", Museum fur Gegenwartskunst, Zurich "Untitled, 1998 (On the Road with Jiew, Jeaw, Jieb, Sri and Moo)", Philadelphia Museum of Art, Philadelphia, PA |
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| 1997 | "Untitled, 1997 (Playtime)", Williams College Museum of Art, Williamstown, MA "Untitled, 1997 (A Demonstration by Faust as a Sausage and Franz Biberkopf as a Potato)", Neugerriemschneider, Berlin, Germany "Untitled, 1997 (Playtime)", MOMA Project 58, New York, N.Y. Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg (cat.) "Untitled, 1997 (Schupfnudeln)", Jan Winkelmann, Munich, Germany Helga Maria Klosterfelde, Hamburg |
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| 1996 | "Untitled 1996, Loup, est-tu-la?", Galleria Emi Fontana, Milano, Italy "Untitled 1996, (traffic)", Navin Gallery Bangkok Kunstverein in Hamburg, Hamburg "Tomorow's Another Day", Kolnischer Kunstverien, Koln, Germany (cat.) "Untitled 1996 (Studio No. 6)", Kunsthalle St. Gallen, CH "Untitled, 1996 (one revolution per minute)", Le Consortium, Centre d'Art Contemporain, Dijon, France "Douglas Gordon/Rirkrit Tiravanija", FRAC Languedoc-Rousillion, France de Appel, Amsterdam, Holland, (with Renee Green) |
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| 1995 | "Untitled, 1994 (From Baragas...to Reina Sofia)", Kunsthalle Basel, Switzerland "Untitled, 1995 (Still)", 303 Gallery, New York, NY "Untitled, 1995 (Tent)", Architektenbuo Alsop & Stormer, Hamburg; Helga Maria Klosterfelde Editionen, Hamburg |
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| 1994 | "Andy Warhol Rirkrit Tiravanija", Gavin Brown's enterprise, New York, NY "Untitled, 1994, (meet tim & burkhard)", neugerriemschneider, Berlin "Untitled,1993 , (Rucksack)", 2.9.1994 Architektenburo Alsop & Stormer, "Untitled, 1994, (Fear Eats the Soul)", Friesenwall 116, Koln "Untitled, 1994, (Beauty)", Jack Hanley Gallery, San Francisco, CA |
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| 1993 | "Untitled, 1993, (Live and Eat, Eat and Die)", Randolph Street Gallery, Chicago, IL. 1992 "Untitled, 1992, (Free)", 303 Gallery, New York, NY |
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| 1991 | "Untitled, 1990, (blind)", Randy Alexander Gallery, New York, USA | |
| 1990 | "Pad Thai", Project Room, Paula Allen Gallery, New York, USA | |
| Group Exhibitions | ||
| 2008 | "The Puppet Show," Santa Monica Museum of Art, CA "Pivot Points: Defining MOCA's Collection," MOCA Miami, Florida "Art and Capital: Spiritual Odyssey," Gallery Loop, Korea "Servitude & Simulacre," Ce Soir, curated by Jordi Vidal, Paris, France |
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| 2007 | Art Beijing Tang Gallery, Beijing, China "Show Me Thai" Museum of Contemporary Art, Tokyo, Japan Sharjah Biennial, Sharjah "Tomorrow" Artsonje Center, Seoul, Korea Anyang Public Art Project, Anyang, Korea "Copenhagen Bar Project" Karrier contemporary art &social life, Denmark "The Place and The Plate" The Jim Thompson Art Center, Bangkok, Thailand "The Lath Picture Show" Petzel Gallery, New York "Sympathy for the Devil: Art and Rock and Roll Since 1967," MCA Chicago, IL "Just use it" Nordjyllands Kunst museum, Aalborg, Denmark "Scotiabank Nuit Blanche," Ontario College of Art and Design, Ontario, Canada Art Public Contemporain, Luxembourg "Lucelia Artist Award 2001 ? 2006," Smithsonian American Art Museum, Washington DC Lyon Biennale, Lyon, France "Words Fail Me," Museum of Contemporary Art, Detroit, curated by Matthew Higgs ShContemporary, Shanghai, China "Il Tempo del Postino," Manchester International Festival, Manchester, UK "The Freak Show," Musée d'Art Contemporain de Lyon, France "Get Lost: Artists Map Downtown New York," New Museum Project, New York "New Economy," Artists Space, New York "Someone Else With My Fingerprints," Galerie Chantal Crousel, Paris, France "Generation 1.5," Queens Museum of Art, New York "The Shapes of Space," Guggenheim Museum, New York2006 "Satellite of Love", Witte de With, Rotterdam, Pays-Bas "Surprise, Surprise", Institute of Contemporary Arts, London Haus am Waldsee. Ort internationaler Gegenwartskunst, "Anstoss Berlin - Kunst macht Wel"', Berlin, Germany "Infinite Painting", Villa Manin, Centro d'Arte Contemporanea "Again for tomorrow", Royal College of Art, Londres, GB "Tent". International Film Festival, Witte de With, Center for Contemporary Art, Rotterdam "Mapping the studio", Stedelijk Museum, Amsterdam "The Large Piece of Turf", Contemporary Art in the Public Domain, Nuremberg "Into Me/Out of Me", P.S. 1 Contemporary Art Center New York, USA Institute for Contemporary Art in Berlin "25 x 25", White Columns at Cereal art, curated by Matthew Higgs and Amie Scally, Philadelphia |
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| 2006 | "25 x 25", Cereal Art Gallery, Philadelphia, PA "Open Ended (the art of engagement)", Walker Art Center, Minneapolis, MN "All Hawaii Entrées / Lunar Reggae", Irish Museum of Modern Art "The Exotic Journey Ends", Foksal Gallery Foundation, Warsaw; kurimanzutto, Mexico City Emergency Biennale in Chechnya,, atklasanas forums, Riga, Lettland Sao Paulo Biennial, Sao Paulo, Brazil "Surprise, Surprise", Institute of Contemporary Art, London "Sculptures in the Park", Villa Manin Centro d'Arte Contemporanea, Codroipo, Udine, Italy "Yes Bruce Nauman,"Zwirner & Wirth, New York "Satellite of Love", Witte de With, Rotterdam, NL "Anstoss Berlin: Kunst macht Welt", Haus am Waldsee, Berlin, Germany "Not All Is Visiblec", Astrup Fearnley Museum, Oslo, Norway "Into Me/ Out of Me", PS1 Contemporary Art Center, New York "The Large Piece of Turf ? Contemporary Art in the Public Domain", curated by Raimer Stange and Florian Waldvogel for the City of Nuremberg and the German Football Assoc. "Again for Tomorrow", Royal College of Art Galleries, London "Infinite Painting", Villa Manin Centre for Contemporary Art, Codroipo. Italy |
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| 2005 | "DOMICILE privé/public", Musée d'Art Moderne de Saint-Etienne Métropole, France "FUSION". Aspects of Asian Culture in the MUSAC Collection, MUSAC, Leon, Spain "Thank you for the Music", Sprüth Magers, Ménchen, Germany "Lichtkunst aus Kunstlicht", ZKM, Karlsruhe, Germany "Universal experience. art, life and the tourist's eye", Hayward Gallery, London, UK Biennale d'art contemporain de Lyon, Lyon, France "Raéme und Schatten", Haus der Kulturen der Welt, Berlin, Germany "In the Middle of the Night. Die Neuerwerbungen seit 1996", Kunsthalle Bielefeld, Germany (cat.) "Nach Rokytnik", The EVN Collection, MUMOK Museum Moderner Kunst Stiftung Ludwig Wien, Wien, Austria "Luna Park", Arte Fantastica, Villa Manin, Passariano, Italy (cat.) "Universal Experience: Art, Life and the Tourist's Eye", The Museum of Contemporary Art Chicago "Dosenhos: A-Z (Drawings: A-Z)", Porta 33, Funchal, Ilha da Madira, Portugal |
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| 2004 | "Small: The Object in Film", Video an Slide Installation, Whitney Museum of American Art, New York, USA "The Encounters in the 21st Century: Polyphony - Emerging Resonances", 21st Century Museum of Modern Art, Kanazawa, Japan "70/90 Engagierte Kunst", neues museum, Staatliches Museum fér Kunst und Design in Nérnberg, Nérnberg, Germany (cat.) "Social Capital", Whitney Museum of American Art Independent Study Program Exhibition, New York, USA (cat.) "Klétterkammer", ICA, London, UK "International 04", Liverpool Biennial, Liverpool, UK "e-flux video rental", e-flux, New York, USA Dakar Biennial 2004, Dakar, Senegal "Qualsiasi (TV)", base, Florenz, Italy "Artists' Favourite", ICA Galleries, London, UK |
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| 2003 | "The Big Nothing", Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA "Werke aus der Sammlung Boros", Museum fér neue Kunst, ZKM, Karlsruhe, (cat.) "Elephant Juice (sexo entre amigos)", kurimanzutto, Mexico City, MEX "The Fifth System: Public Art In The Age Of 'Post-Planning'", The 5th Shenzhen International Public Art Exhibition, Shenzhen, China Installation art 1969-2002; Museum for Contemporary Art MOCA, Los Angeles "Utopia Station - Poster Project", Haus der Kunst, Ménchen, Germany "Hands up, baby, hands up", Oldenburger Kunstverein, Oldenburg, Germany "Everyday", Kunstforeningen, Kopenhagen, Danemark (cat.) "Identität schreiben", Autobiographie in der Kunst, Galerie fér zeitgenössische Kunst, Leipzig, Germany "Utopia Station", co-curator mit Molly Nesbit und Hans-Ulrich Obrist, 50 Biennale di Venezia, Italy "actionbutton", Hamburger Bahnhof, Berlin, Germany (cat.) "Perfect Timeless Repetition"; c/o Atle Gerhardsen, Berlin, Germany "Imperfect Marriages", Emi Fontana, Milano, Italy "Love Planet", Benesse, Okayama, Japan "El aire es azul", Casa Museo Luis Barragan, Mexico City, Mexico |
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| 2002 | "ReProduktion", Galerie Bernhard Knaus, Mannheim, Germany, (cat.) "En Route", Serpentine Gallery, London, UK "Public Affairs", Von Beuy bis Zittel: Das Offentliche in der Kunst, Kunsthaus Zérich "40 Jahre Fluxus und die Folgen", Nassauischer Kunstverein und Projekt des Stadtmuseums Wiesbaden, Wiesbaden, Germany "No Ghost Just a Shell," Kunsthalle Zérich, Zérich, Switzerland "Points fo Departure II", Connecting with Contemporary Art, San Francisco Museum of Modern Art, San Francisco, USA "Tutto normale", Villa Médicis, Rome, Italy (cat.) EACC, Castello, ES Comfort Zone, Fabric Work Shop, Philadelphia, USA "The object sculpture", Henry Moore Foundation, Leeds, UK "void", Rice Gallery G2, Tokyo, Japan |
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| 2001 | "4Free", Béro Friedrich, Berlin, Germany "Watou Poeziezomer", Watou, Belgium "Kleine Paradiese", Gutspark Böckel, Ostwestfalen Lippe, Germany (cat.) "il dono- offerta ospitalita insidia; Palazzo delle Papesse", Centro Arte Contemporanea, Siena, Italy "Heimaten", Galerie fér Zeitgenössische Kunst, Leipzig, Germany "cushy job", Swiss Institute - Contemporary Art, New York, USA "plug in - Einheit und Mobilität", Westfälisches Landesmuseum, Ménster, Germany Yokohama Triennale, Yokohama, Japan Istanbul Biennial, Istanbul "Orientale1", Universitatsgalerie der Bauhaus-Universitat Weimar, Germany "Public Offerings", Museum of Contemporary Art, Los Angeles, USA "Einheit und Mobilität", Westfälisches Landesmuseum, Ménster, Germany "The Beauty of Intimacy", Gemeentemuseum, Den Haag, Holland "Freestyle", Werke aus der Sammlung Boros, Museum Morsbroich, Leverkusen |
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| 2000 | "Artworkers", curated by Melisssa Feldman, Oriel Mostyn Gallery, Liandudno, Wales Finale di Partita, Chiostro di Ognissanti, Firenze, Italy "more works about buildings and food", Fundiçâo de Oeiras, Hangar K7, Oeiras, Poland "AutoWerke", Deichtorhallen Hamburg, Hamburg, Germany "vicinato 2", Friedrich Petzel, New York, USA "Taxa", Navin Gallery Bankok und Onepercent Copenhagen, Kopenhagen, Denmark "Re_public", Grazer Kunstverein, Graz, A (mit Rirkrit Tiravanija) "Loneliness in the City , Migros Museum, Zérich, CH (mit Franz Ackermann)1301 PE, Los Angeles M Art in (n), M Art in (n) c/o Martin Schibli, Helsingborg LKW, Lebenskunstwerke, Kunst in der Stadt 4, Kunsthaus Bregenz, Austria (cat.) "ein/räumen - Arbeiten im Museum", Hamburger Kunsthalle, Hamburg, Germany (cat.) "Beréhmte Kénstler helfen Koch und Kesslau", Koch und Kesslau, Berlin, Germany "M(odel) 4∞", BéroFriedrich, Berlin, Germany Das Unheimliche Heim, Kunstverein, Wolfsburg, Germany "Continental Shift", Ludwig Forum Aachen, Germany/ Bonnefantenmuseum Maastricht, Holland/ Stadsgalerij Heerlen, Holland/ Musée d' Art modern Liege, Belgium (cat.) |
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| 1999 | "Kunst-Welten im Dialog", Museum Ludwig Köln, D (cat.) "Blown Away", 6th International Caribbean Biennal, St. Kitts, Caribbean Islands "Project Row Houses: Street Life (Round 11)", curated by Jerome Sans, Houston, TX "Embedded Metaphor", curated by Nina Felshin, organized by ICI, New York, traveling exhibition (1996-99) "Une histoire parmi d' autres", FRAC Nord-Pas de Calais, Dunkerque, France (cat.) "Peace", <migros museum>, Museum fur Gegenwartskunst, Zurich, Swizerland (cat.) "Moving Imagea-Film Reflexion in der kunst", Galerir fur Zeitgenossische, Kunst Leipzig, Germany (cat.) "Locally Interested", ICA, National Gallery for Foreign Art, Sofia, Bulgaria "dAPERTutto", 48. Esposizione Internazionale d'Arte, La Biennale di Venezia, Vendig, Germany (cat.) "1st Fukuoka Triennale", Fukuoka Asian Art Museum, Fukuoka, Japan "go away; artists and travel", Royal College of Art, London, UK (cat.) "A Piece of Furniture...", Gallerie Anselm Dreher, Berlin, Germany Talk. Show. "Die Kunst der Kommunikation in den 90er Jahen", Von der Heydt-Museum Wuppertal, Wuppertal, Germany (cat.) "Photography Salon", Elizabeth Cherry Contemporary Art, Tucson, AZ "FROM/TO", International Film festival Rotterdam/Witte de With, Rotterdam, Holland "Cities on the move", Artspace 1%. Louisiana Museum of Modern Art, Copenhagen, Denmark "Konstruktionszeichnungen", Kunst-Werk, Berlin, Germany "Places to stay #5 music", Buro Friedridh, Berlin, Germany |
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| 1998 | "Leisure and Travel", Paula Cooper Gallery, New York, NY "Crossings", National Gallery of Canada, Ottawa, Ontario "Not Today", Gavin Brown's enterprise, New York, NY "Wounds: between democracy and redemption in contemporary art", Moderna Museet, Stockholm, Sweden "Dad's Art", neugerriemschnungen, Kunst-Werk, Berlin, Germany "_, 1994untitled, 1994 (meet tim&burkhard)brancsi, 1997", grazer Kunstverein, Austria "Le proces de pol pot", Magasin center national d'art Contemporain de Grenoble, Grenoble, France Sidny Biennale, Sidny, Australia (cat.) Berlin Biennale, Berlin, Germany (cat.) "Mostrato. Fuori Uso '98", Mercati Ortofrutticoli, pescari,Italy (cat.) National Gallery of Canada, Ottawa, Ontario, Canada "Inside..Outside", Stadtisches Museum Leverkusen, SchloB Morsbroich, Germany "ONTOMtm", Galerie fur Zeitgenossische Kunst, Leipzig, Germany (cat.) Kunstlerlnnen, 40 positionen zeitgenossischer iternationaler Kunst in Videoportaits, museum in progress in Zusammenarbeit mit dern Kunsdthaus Bregenz/Kunstlerhaus Bethanien, Berlin, Germany "Kunst und papier auf dem Laufsteg", Deutsche Guggenheirm Berlin, Germany "Deserted & Embraced", Goethe-Institue Bankok, Thailand (cat.) "Cities on the Move", CAPC Bordeaux, France (cat.) |
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| 1997 | "Cities on the Move", CAPC Bordeaux, France (cat.) "enterprise", ICA, The Insitute of Comtemporary Art, Boston, MA "KunstcArbeit", Sudwest LB, Stuttgart, Germany (cat.) "Deserted & Embraced", Chiang Mai, Thailand (cat.) "Helga Maria Klosterfelde",Hamburg, Germany "Truce: Echoes of Art in Age ob Endless Conclusions", Site Santa Fe, NM "Medium of Exchange", Congress Hamburg, Confinea 1997, Hamburg, Germany "Letter and Event", Apex Art C.P. New York , NY "Performance Anxiety", MCA Chicago, IL Skulpturenproject Munster, Germany "A Summer Group Show", Neugerriemschneider, Berlin "Wandstucke IV", Gallerie Bob Van Orsouw, Zurich, Switzerland "Campo 6", the Spiral Village, Bonnefantenmuseum, Maastricht, NL "Fiat", Stuttgart/Umbauraum "Supastore De Luxe", Up & Co, New York, NY |
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| 1996 | "a/drift", curated by Joshua Decter, Center for Curatorial Studies Museum, Bard College "Thinking Print", Musuem of Modern Art, New York "Campo 6", Fondazione Sandretto Re Rebaudengo per L'Arte, Galleria Civica d'Arte Moderna di Torino, Torino, Italy "almost invisible/fast nichts", Umspannwerk Singen, Singen/Hohnentwiel, curated by Jan Winkelmann, Alle Neue, ACC Galerie, Weimar, Germany "Gary Hume, Udomsak Krisanamis, Rirkrit Tiravanija", Gavin Brown's enterprise, New York, NY "Manifesta 1", Rotterdam, Holland "Oporto Festival", Oporto, Portugal "Vicinato", Air de Paris, Paris, France "Vicinato", Schipper & Krome, Koln, Germany "In/Out", (a collaborative project with U of I and the Resource Center), Gallery 400 "U of I", Circle Campus, Chicago, IL "Kunst in der neuen Messe Leipzig", Leipzig, Germany "TRAFFIC", CAPC Musee d'Art Contemporain, Bordeaux, France "Thinking Print", Henry Art Gallery, Seattle, WA "Campo 6", The spiral Village, Bonnefantenmuseum, Maastricht, Holland "Fiat", Stuttgart/Umbauraum, Stuttgart, Germany "Supastore De Luxe", Up & Co, New York, NY Annandale-on-Hudson, NY "Thinking Print", MoMA, New York, NY "Kofferkunst", Lagerraum, Frankfurt am Main, Germany Modema di Torino, Turin, Itary (cat.) "almost invisable / fast nichts", Umspannwerk Singen, Curated by Jan Winkelmann, Singen/Hohentwiel, Germany "Alle Neune", ACC Galerie, Weimar, Germany |
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| 1995 | "Biennale D'Art Contemporain De Lyon", Lyon, France (cat.) "The Carnegie International", The Carnegie Museum of Art, Pittsburgh, PA., (cat.) "Karsten Holler, Philippe Parreno, Rirkrit Tiravanija", Studio Guenzani, Milano, Italy Kwanju Biennale, Kwanju, Republic of Korea, (cat.) "Das Ende der Avantgarde - Kunst als Dienstleistung", Sammlung Schurmann, Kunsthalle der Hypo - Kulturstiftung, Munchen, "The Moral Maze", Le Consorsium, Dijon, France, (cat.) "Configura II: Dialog der Kulturen", Erfurt, (cat.) "Nutopi", Rooseum, Malmo, Danemark, (cat.) "Shift", De Appel, Amsterdam, Holland (cat.) "House in Time", Moderna Galerija Ljublijana, Slovenia, (cat.) "The Whitney Biennial", Whitney Museum, NY (cat.) "Economies", Walker Art Center, Minneapolis, MN, (with Hans Accola) "Africus", Johannesburg Biennale, Johannesburg, South Africa "Carsten Holler", Phillppe Parreno, Rirkrit Tiravanija, Studio Guenzani, Milan, Italy "Rewind", City Racing, London, UK (Curated by Eric Troncy Kunsthalle der Hypo-Kulturstiftung, Munchen, Germany (cat.) |
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| 1994 | "Cocido y Crudo", (curated by D. Cameron) Reina Sofia, Madrid, Spain (cat.) "Der Stand der Dinge", Kolnischer Kunstverein, Koln, (cat.) "Lost Paradise", kuratiert von Barbara Steiner, Kunstraum, Wien, Austria (cat.) "Esprit d'Amusement", Kunstverein Graz, Austria "new reality mix", Hogbergsgatan 18, Stockholm, Sweden "Multiple", Deichtorhallen Hamburg, Germany, (cat.) "Out Side the Frame", Contemporary Art Center, Cleveland, Ohio (cat.) "SPNY", Galerie Camargo Vilaca, Sao Paulo, Brazil (cat.) "Drawing on Sculpture", Cohen Gallery, New York, NY "Residence Secondaire", Paris, France "Untitled Group Show", organized by Friedrich Petzel, Metro Pictures, New York "Surface de Reparations", organized by Eric Troncy, Le Consortium, Centre d'Art Contemporain, Dijon, France, (cat.) "Camping", Galerie Jennifer Flay, Paris, France "Don't Look Now", organized by Joshua Decter, Threadwaxing Space, New York, NY, (cat.) "L'Hiver de l'Amour", Musee d'Art de la Ville de Paris, Paris, France; and PS 1 Museum, Long Island City, New York, (cat.) |
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| 1993 | "Viennese Stories", curated by Jerome Sans, Wiener Secession, Wien, Austria, (cat.) "Real, Real", Wiener Secession, Wien, Austria, (cat.) Holly Solomon Gallery, New York, NY "Backstage", Hamburger Kunstverein, Hamburg; and Kunstmuseum, Luzern, Switzerland, (1994), (cat.) "Migrateurs", curated by Hans-Ulrich Obrist, Musee d'Art Moderne de la Ville de Paris, Paris, France, (cat.) "Real Time", curated by Gavin Brown, Institute of Contemporary Art, London, (cat.) "Jorge Pardo, Sarah Seager, Rirkrit Tiravanija, Lincoln Tobier", 1301, Santa Monica, CA Kunstlerhaus Bethanien, organized by Tim Neuger, Berlin, Germany "Spielholle", organized by Kaspar Konig and Robert Fleck, Grazer Kunstverein, Graz, Austria; and Galerie Sylvana Lorenz, Paris, France, (cat.) "Aperto", Biennale Venedig, Venice, Italy, (Kurator: M. Slotover), (cat.) "Sleepless Nights", curated by Zdenka Gabalova, PS1 Museum, Queens, NY Galerie Max Hetzler, organized by Tim Neuger, Koln "Simply Made in America", Aldrich Museum of Contemporary Art, CT, (cat.) "Fever", Exit Art, New York, NY Kunstmuseum, Luzern, Switzerland |
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| 1992 | "Transgressions in the White Cube: Territorial Mapping", organized by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT (cat.) "Writings on the Wall", 303 Gallery, New York, NY "Home Improvements", curated by Gavin Brown, 209 W 97th St, Apt. 7B, New York, NY "Consumed", Goethe Haus, New York, NY "Insignificant", curated by Gavin Brown, 10 E 39th St., Suite 525, New York, NY "One Leading to Another", 303 Gallery, New York, NY |
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| 1991 | "The Big Nothing or Le Presque Rien", The New Museum of Contemporary Art, New York,NY, (cat.) "Brooklyn", Jack Tilton Gallery, New York, NY "Wealth of Nations", Center for Contemporary Arts, Ujazdowski Castle, Warsaw, Poland, (cat.) "Dis Mantling Invisibility: Asian & Pacific Islander Artists Response to the AIDS Crisis", Art in General, New York, NY "Shooters Hill", AC Project Room, New York, NY "Arriving", Leonor Datil Perez Gallery, New York, NY "Home?", Home for Contemporary Theater & Art, New York, NY "True to Life", curated by Gavin Brown, 303 Gallery, New York, NY "Fluxattitude", Hallwalls, Buffalo, NY; and The New Museum for Contemporary Art, New York, NY, (1992), (cat.) |
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| 1990 | "Marginal Majority, (Artists Against Racial Prejudice)", Arron Davis Hall, New York, NY, (cat.) "Untitled, 1990, (Blind)", Randy Alexander Gallery, New York, NY "Pad Thai", Project Room, Paula Allen Gallery, New York, NY "Post-Consumerism", The Storefront for Art & Architecture, New York, NY "Work on Paper", Paula Allen Gallery, New York, NY "4th Annual Invitational", Cold City Gallery, Toronto, Canada |
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| 1989 | "Caught in a Revolving Door", The Alumni Association of the School of the Art Institute of Chicago, Chicago, IL, (cat.) "Outside the Clock: Beyond Good & Elvis", Scott Hanson Gallery, New York, NY "Lotto as Metaphor", Hallwalls, Buffalo, New York, NY, (cat.) |
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| Recent Awards | ||
| 2004 | "the Hugo Boss Prize", Guggenheim Museum | |
| 2007 | "the Silpathorn Award", the Ministry of Culture of Thailand | |
| Film works | ||
| Vicinato 2, with Philippe Parreno, Douglas Gordon, Liam Gillick, Carsten Holler, Pierre Huyghe, Friedrich Petzel Gallery, New York; neugerriemschneider, Berlin, Germany |
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| 1991 | "Video Event", Tom Cugliani Gallery, New York, NY | |
| 1985 | "New Film Maker", The Collective for Living Cinema, New York, NY "Super super 8", The Museum of Moving Image, LIC , New York, NY "Super 8 NY", San Francisco Cinemateque, San Francisco, CA |
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| Projects | ||
| 1998 | The Land, Chiang Mai, Thailand | |
| 1990 | The Arrival, Message to the Public, Spectracolor Board at Times Square, New York | |
| Bibliograpy | ||
| 2008 | Noe, Paola, Critics' Picks, Artforum.com, May Browne, Alix, "Asian Fusion," T Magazine, March Sherwin, Skye, "Encounters of the Third Kind," ArtReview, March, p. 40 Coulson, Amanda, "Consulting the Atlas," Art on Paper, Jan/Feb, p. 33-34 Frank, Peter, "Our Fair City," LA Weekly, January 9 |
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| 2007 | "Experiencing Art", Ryukotsushin, October, 2007, p.218-219 Drobnick, Jim, "Sometimes It's Good to Put Up a Couple of Walls," OCAD Sketch, Spring, p. 8-11 Saltz, Jerry, "Conspicuous Consumption," New York Magazine, May 14, p. 88 "Gordon Matta-Clark and Rirkrit Tiravanija," New Yorker, May 7, p. 14 Kerr, Merrily, "Matta-Clark/Tiravanija," Time Out New York, April 26 ? May 2, p 106 Smith, Roberta, "Space Redefined in Chelsea," The New York Times, April 13 Orden, Abraham, "The Minute," Artnet.com, April 6 Lee, Carol, "Rirkrit Tiravanija and Gordon Matta-Clark United ? And it Tastes So Good!" Papermag.com, March 23 Neil, Jonathan T.D., "Tales From the City: New York," Artreview, March, p. 48 Létticken, Sven "Black Bloc, White Penguin: Reconsidering Representation Critique," Artforum, March, pp.298-303, 331 Tiravanija, Rirkrit, "Influence Today and Tomorrow," Art Asia Pacific, Almanac, p. 225 Rattemeyer, Christian, "27th Sao Paulo Bienial," Artforum, February, p. 287-88 |
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| 2006 | Moulene, Claire, "Imaginaire: Mode d'Emploi, eArt contemporain et lien social'" published by Editions Cercle d'Art, Paris Andrews, Max, editor, "Land Art: A Cultural Ecology Handbook," published by RSA, London Mertens, Brian, "Rirkrit Tiravanija Launches New Bangkok Venture," Art Asia Pacific, Winter, p. 55 "Spirituality," Art Asia Pacific, Winter, pp. 82-91 Thomas, Rachel; Philippe Pareno, et. Al "All Hawaii Entrées / Lunar Reggae," published by Irish Museum of Modern Art, Dublin and Charta, Milan "All the Best: The Deutsche Bank Collection and Zaha Hadid," published by Deutsche Bank, Frankfurt, a.M. Goncharov, Kathleen, "Review: Whitney Biennial," Tema Celeste, No. 116, pp. 86-87 (illus.) Blind Date, Published by Deutsche Bank, Frankfurt Mooney, Christopher, Review, Modern Painters, April, p. 117 Hoptman, Laura, "Give Peace Another Chance," ArtReview, March, pp.28-29 "The Artists Talk: A Cross Section of the Art Life in Berlin," Flash Art, March-April, pp. 82-87 Iles, Chrissie and Philippe Vergne, Whitney Biennial: Day For Night, exhibition catalog, published by The Whitney Museum of American Art Tiravanija, Rirkrit, "Work in Progress," V magazine, Spring, p. 122 Petlin, Irving; Mark di Suvero; Rirkrit Tiravanija, "Peace Tower," Artforum, March pp. 252-57 Griffin, Tim, Review: Lyon Biennale, Artforum, Feb. pp. 205, 230 Morton, Tom; Nancy Spector, "Retrospectives", Frieze, Jan./Feb. pp. 115-16 Griffin, Tim, Chrissie Iles, Philippe Vergne, "Cabaret License," Artforum, January, pp. 94-96 |
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| 2005 | Grosenick, Uta, Art Now: Vol. 2, published by Taschen, Cologne, London, L.A., Paris, Madrid, Tokyo Birnbaum, Daniel, "Best of 2005," Artforum December pp.260-61 Iles, Chrissie, "Film, Best of 2005," Artforum December, p.58 McCormack, Christopher, "Previews," Contemporary, No. 75, p. 51 Dorment, Richard, "The Exhibition That Says, Make Yourself at Home," Darwent, Charles, "Make Yourself Comfy: The Artist Is at Home," The Independent, July 17 Cooper, Emmanuel, "Make Yourself at Homec" Tribune, August 5/19 Martin, Francesca, "Checklist," British Vogue, August p. 53 Lewis, Ben, "Private View," Prospect, August, p. 55 O'Connell, Alex, "Art Notebook," The Times, July 28 Januszczak, Waldemar, "Home Is Where the Art Isn't," The Sunday Times, July 24, p. 10 Jennings, Rose, "There's Plenty of Room for Manoeuvre," The Observer, July 24 Hanks, Robert, "The Week in Radio," The Independent Kent, Sarah, "Food for Thought," Time Out London, July 20 Croft, Catherine, "Plywood Homes from Home," Building Design, July 15 Review, London Evening Standard, July 15 Searle, Adrian, "Make Yourself at Home," Guardian, July 12 Géner, Fisun, Review, Metro London, July 6 Leitch, Luke, "Home Is Where the Art Is," London Evening Standard, July 5 Dannatt, Adrian, "Interview," The Art Newspaper, p. 36 Baal, Iphigenia, "Home Base: CONTACT _Con-4162AAE98 \c \s \l Rirkrit Tiravanija," Dazed & Confused, July, p. 154 Cripp, Charlotte, "Everyone Back to My Pad," The Independent, June 29 Buck, Louisa, "Preview," RA, Summer Cripps, Charlotte, "Everyone Back to My Pad," The Independent, June 2 Griffin, Tim (moderated by) "Remote Possibilities: A Roundtable Discussion on Land Art's Changing Terrain," Artforum, Summer, pp.288-295, 366 Joselit, David, "Navigating the New Territory," Artforum, Summer, pp.276-79 Birnbaum, Daniel, "The Lay of the Land," Artforum, Summer, pp.270-74, 346 Bishop, Claire, "Installation Art," published by Tate Publishing: London Laubard, Charlotte, Review Flash Art, May-June, pp.152-53 "An Interview with Rirkrit Tiravanija," Asian Art Newspaper, April pp. 6-7 Wilcox, T.J., "Personal Affects," Artforum, April, p. 165 Fox, Dan, "Welcome to the Real World," Frieze, April, pp. 72-76 + cover Waltener, Shane, Review, Modern Painters, April, p. 113 Cotter, Holland, "Work Whose Medium Is Indeed Its Message," The New York Times, Weekend Arts, Friday March 18th, p. E44 Moisdon, Stéphanie, "Rirkrit Tiravanija: Artiste Relationnel?" Beaux-Arts, March Ardenne, Paul, Review, Artpress, March Bishop, Claire, "But is it ?Installation Art?" Tate, Etc., Issue 3, Spring, pp. 26-35 Lutticken, Sven, Review, Artforum, XLIII, No. 6, February, pp. 164-165 Sheets, Hilarie M., "Underrated Overrated (Paul Ha)", ARTnews. January, p. 108 "News: Prizes", ARTnews. January, p.54 "News: Prizes and Competitions", Flash Art, January-February, p. 45 Wecker, Frédéric and Benjamin Thorel, "Quand les usages deviennent forme de vie," Art 21, No.1, Jan.-Feb. pp.14-21 Sayoko Nakahara "LOHAS Architecture" Case Brutus, October, 2005, p.112-113 "Remote Possibilities" moderated by Tim Griffin, Artforum, Summer, p.289-295 Daniel Birnbaun, "The lay of the land" Artforum, Summer, p.270-279 |
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| 2004 | Parreno, Philippe; Sterling, Bruce; Tiravanija, Rirkrit; "A Retrospective (Tomorrow is another fine day)", published by Museum Boijmans Van Beuningen: Rotterdam Bajo, Delia and Carey, Brainard, "In Conversation," The Brooklyn Rail, February, pp. 21-22 "Social Capital, Forms of Interaction," published by Whitney Museum of American Art Independent Study Program Exhibition, New York Ono, Fujiko,"Art of life", Luca, no. 5, p.19-33 Hanazawa, Takeo, "Location", Studio voice, April |
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| 2003 | Shimada, Junko, Brutus, April, p. 118 Review, The New Yorker, November 10, p. 27 Bollen, Christopher, "Critics Picks," Artforum.com, October Cavallucci, Fabio, Work, Art in Progress, April-June, p. 10 Floriani, Giorgia, Work, Art in Progress, April-June, p. 9 Culpan, Laura Jane, Work, Art in Progress, April-June, p. 22 Tetsuya, Ozaki, Invitation, June, p. 59 Gopnik, Blake. "Rirkrit Tiravanija Wins Smithsonian's Lucelia Artist Award" Washington Post-Style, Wed April 9 Secession, Vienna, Austria (cat.) Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins, p. 119 "The 80's", Artforum, March, p. 214 Cavallucci, Fabio, Work, Art in Progress, April-June, p. 10 Floriani, Giorgia, Work, Art in Progress, April-June, p. 9 Culpan, Laura Jane, Work, Art in Progress, April-June 2003 p. 22 Tetsuya, Ozaki, Invitation, June, p. 59 Quote, ArtReview, July/August, p. 49 Secession, Vienna, Austria (cat.) Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins, p. 119 "The 80's", Artforum, March, p. 214 Kojima, Yayoi, Arigatt, April 2003 p. 80-81 McGee, John , Metropolis, 17 July Kojima, Yayoi, Ryuko Tsushin, March 2003,p. 139 Elle, July 2003 no. 213 |
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| 2002 | Dusini, Mathias, Review Secession, Vienna, Frieze, November, p. 110 Boers, Waling, Interview pp. 96-97, in Public Affairs, published by Kunsthaus Zurich, Zurich, Switzerland Curtis, Penelope, "The Object Sculpture," published by The Henry Moore Institute, Leeds, UK Kempkes, Anke, "Art Now," published by Taschen, Koln Fallon, Roberta, "Spiritual Comfort," Artnet.com Canvas, Art News, May Kawahara, Hideki , Tokyo Jin, August, p.143-147 BT, June, no. 821 Kataoka, Mami, "Solo/s Untitled,(the raw and the cooked)",Tokyo Opera City Art Gallery, Japan (cat.) "The Thai cook book", Tokyo Opera City Art Gallery, Japan (cat.) "Untitled,2002(demo station no.3)", Sumida Riverside Hall Gallery,Japan (cat.) "CCA project 05.1997-03.2002", CCA Kitakyushu, Japan (cat.) "Passage Cosmo to Fishy Travels", CCA Kitakyushu, Japan (cat.) Matsui, Midori, "Art in a New World", Asahi Press, p.23, 160, 169-170, 190, 197, 199,221, 225 Dziewior, Yilmaz, "Art Now", Taschen, Koln Baldon, Diana, "Ein/raémen in Hamburg", Tema Celeste, January-February, p.116 Herbstreuth, Peter: Held der Arbeit; Der Tagesspiegel, 28. July,/Nr. 17480 Chapuis, Yvone; "L'Espace d'action Inconditionnelle", Press Release, "Kunstverein Wolfsburg" March 9 Erickson, Karl; "The Free Spot", In These Times, 20. August. Frangenberg, Frank; Frentzens welke Kranze, Suddeustche Zeitung, 26. June, Nr. 144. p. 17 Shimada, Junko, Studio Voice, May Kawahara, Hideki , "Doing something by not doing", BT, October, p.106-107 |
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| 2001 | Kawahara, Hideki , Yokohama Masala news paper, 13 October Dziewior, Yilmaz, "Art Now", Taschen, Kol Baldon, Diana, "Ein/raémen in Hamburg", Tema Celeste, January-February, p.116 Herbstreuth, Peter: Held der Arbeit; Der Tagesspiegel, 28. July,/Nr. 17480 Chapuis, Yvone; "L'Espace d'action Inconditionnelle", Press Release, "Kunstverein Wolfsburg" March 9 Erickson, Karl; "The Free Spot", In These Times, 20. August. Frangenberg, Frank; Frentzens welke Kranze, Suddeustche Zeitung, 26. June, Nr. 144., p. 17 |
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| 2000 | Stange, Raimar; "ein/räumen" in der Hamburger Kunsthalle; Das Kunstbulletin; Nr.12, S.36 Winter, Peter; Katzen, Kassen, Karl V; Frankfurter Allgemeine Zeitung; 20. November; Nr. 270, S.54 Vergez, Juan; Review ARCO 2000: Elective Affinities; ARCO Noticias; September Nr. 18, S.14 Franz Ackermann/ Rirkrit Tiravanija, Ausst. Kat. RE public; Grazer Kunstverein October, S.63-65 Wolfs, Rein, "The Sociale Capital Today", Art- Land,Vol.6, Nr.1, S.5 Boers, Waling, "Reality is a friend of mine, Interview with Rirkrit Tiravanija", material, Fréhling/ Sommer, Nr. 3, S.44 - 46 Continental Shift; Ausst. Kat. Ludwig Forum Aachen, D/ Bonnefantenmuseum Maastricht, NL/ Stadsgalerij Heerlen NL/ Musée d' Art modern Liege, Belgium Wittneven, Kathrin, "Zeichne dich selbst", Der Tagesspiegel; 15. July, Nr. 17111, S.32 Lintzel, Aram, "Liebst du mich wirklich?", Frankfurter Allgemeine Zeitung; 14. July, Nr. 161, S. BS 6 Gardner, Belinda Grace, "Verféhrung des Blicks", Das Haus der Kunst, Ménchen, Hamburg, S. 175 Stange, Raimar; "ein/raumen" in der Hamburg Kunsthalle, Das Kunstbulletin; Nr. 12, p.36 Winter, Peter, "Katzen, Kassen, Karl V", Frankfurter Allgemeine Zeitung, 20. November 2000; Nr. 270, p. 54 Franz Ackerman/ Rirkrit Tiravanija, Ausst. Kat. RE public, Grazer Kunstverein Oct, p. 63-65 Vergez, Juan, "Review ARCO 2000: Elective Affinities", ARCO Noticias, September Nr. 18 p. 14 Wolfs, Rein, "The Sociale Capital Today", Art Land; Vol. 6, Nr.1, p. 5 Boers, Waling, "Reality is a friend of mine, Interview with mit Rirkrit Tiravanija", material; Fruhling/Sommer 2000, Nr. 3, pp. 44-46. Continental Shift, Ausst. Kat. Ludwig Forum Aachen, D/ Bonnefantenmuseum Maastricht, NL/Stadsgalerij Heerlen NL/Musee d'Art modern Liege, Belgium Citytripping.com, "Free Rent: Rirkrit Tiravanija's Experiment in Living", Aug. 1 Berwick, Carly, "While Some Live for Art, Others Live In It", The New York Times, Aug 1 Wittneven, Kathrin, "Zeichne dich selbst", Der Tagesspiegel, 15. Juli , Nr. 17111, S.32 Lintzel, Aram, "Liebst du much wirklich?", Frankfurter Allegemeine Zeitung, 14 July, Nr. 161, p. BS 6 Gardner, Belinda Grace, "Verfuhrung des Blicks", Das Haus der Kunst, Munchen, Hamburg, p. 175. "The Art of Eating Curry", Composite, Tokyo, No. 16, June Murria, Alicia, "Rirkrit Tiravanija", Revista Lapiz, Nr. 161, March Memba, Javier, Okupas, "yvagabundos acuden a cenar a una galeria de arte", El Mundo, 14 February. Llorca, Pablo, "Modelo de artista", El Periodico del Arte, Februar 2000, Nr. 30 Ririkrit Tiravanija, Arte publico, Antiquaria Stange, Raimar, "Rirkrit Tiravanija", Artist Kunstmagazin, Heft Nr. 42, January, pp. 22-26 Stange, Raimar, "Ein/raémen", in der Hamburgen Kunsthalle, Das Kunstbulletin, No. 12 Sumitomo, Fumihiko, "The Discourse of Representation", University of Tokyo Press, p. 237-250 Nakamura, Nobuo, Yokohama 2001, (cat.) Matsui, Midori, "Ririkrit Tiravanija's Communal Art", Composite, vol.2, no.17, September Japan, p.14 Kawahara, Hideki, Brutus, no.463, September 15, Japan, p.125 Sato, Akira, Brutus, no.460, August 1, Japan, p.133 Figaro japon, no.181, June 5, p.107 Kamiya, Yukie, Oggi, June, Japan, p.350 Shinkawa,Takashi, Spa!, May 31, Japan, p.105 Sumiyoshi, Chie, Brutus, April 15, Japan, p.104 Nishihara, Min,D-file, vol.4, Summer, Japan, p.177 Machiyama, Hiromi, Studio Voice, vol.295, July, Japan, p.75 Harada, Tamaki, Caz, no.285, June 26, Japan, p.77 |
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| 1999 | Lonehood, Lex, "Free Rent:Rirkrit Tiravanija's Experiment in Living", City Tripping. com Berwick, Carly, "While Some Live for Art, Others Live in It", The New York Times, Aug. 1, Sunday, August, 8 Knight, Christopher, "L.A. Map Makes the Invisible Plain", Art Reviews, Los Angeles Times, July, 23, Hunt, David, "Faraway and Nearby, The Province of Telepresence", Camerawork, Spring/Summer, pp.26-29 Scott, Andrea K., "Mi casa, su casa", Time Out New York, June 10-17, in Art Reviews. Wong, Gloria M., "Quick Takes", Bazaar, June, pg.88. "Living with Art at Gavin Brown's Enterprise", The Art Newspaper, June. Saltz, Jerry, "Rising Tide", The Village Voice, June 29, pg.157 Saltz, Jerry, "Resident Alien", The Village Voice, July 7, pg.157 Gilson, Nancy, "Eye of the beholder", The Columbus Dispatch, January 27, p.8E Pettus, Jason, "Extended Stay", Cake walk, Fall, p.58-59 Joyce, Julie, "Rirkrit Tiravanija and Lincoln Tobier", Art/Text, #67, p.90 Gellatly, Andrew, "Cities on the Move", Frieze Siegel, Katy, "Rirkrit Tiravanija", Art Forum, October, p.146 Kazakov, Rafaelo, "Rikrit Tiravanija", The New York Art World, Sep, p.M 14 Elms, Anthony, "Rirkrit Tiravanija", The New Art Examiner, October, p.47-48 Pinchbeck, Daniel, "NY artist Q & A, Rirkrit Tiravanija", The Art Newspaper, July-August Bogge, Sheri, "Sitting down to art", The Inlander, April 14 Sachs, Brita, "Bei Anruf Kunst", Frankfurter Allgemeine Zeitung, 16 Dec., p. 53 Sanders, Joel "Frames of mind", Artforum, November, S. 126-131 Nomblot, Javier Rubio, "Rirkrit Tiravanija", diez propuestas para Madrid, El punto de las Artes, 10-20. December Szeeman. Harald, "Rirkrit Tiravanija", Katalog zur Ausstellung dAPER Tutto, 48. Esposizone Internazionale d'Arte, La Biennale di Venezia, p. 162-165 N.N., Museum Het Domein presenteert Ex-tension, Trompetter, 30 Juni. Fischer, Tine/Eskjaer, Mikkel, "Spis en film", Kun stmagasinet 1%, #5 February Tiravanija, Rirkrit, "Dreams", hrsg. v. Francesco Bonami u. Hans Ulrich Obrist Lind, Maria, "Raumnachbildungen und Erfahrungsraume", Parkett Nr. 54, pp. 186-190 Asahi Newspaper, May 4, 1999, Japan, p.8 |
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| 1998 | Strauss, Dorothea, "Basic Needs", Kunst Bulletin, Sep., p.22 Ammann Rene, Review, Artforum, p. 110, November Kraynak, Janet, "Rirkrit Tiravanija's Liabilityo", Documents, Fall, pp. 26-40 Seidel, Miriam, "On the Road", Philadelphia Weekly, April, 29 Sozanski, Edward J., "It's a cross-country trip-- but is it art?", The Philadelphia Inquirer, April, 19, F12 Hou Hanru, Hans Ulrich-Obrist, "Cities on the Move", Secession, Capc Musee d'Art Contemporain de Bordeaux, France Kunstlerhaus Bregenz, "KunstlerInnen. 50 Gesprache", pp.229-231 Kho, Germanie, "Crossings" (Catalogue), p.168 |
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| 1997 | Smith, Roberta, "Finding Art in the Artifacts of the Masses",The New York Times, Dec.1, pp.43 Rimanelli, David, "A/Drift", Artforum,Feb. ,pp 83 Ekeberg, Jonas, "Rirkrit Tiravanija", Hyperfoto, no.3-4, p.25 Lufty, Carol and Lynn Gumpert , "Alot to Digest", Art News, May, pp. 150-3 Review. Time Out New York, April24-May1, pp. 47 "Performance Anxiety", Catalog, MCA Chicago, IL "Thinking Print", catalog, MOMA New York, NY Berger, Laurel, ARTnews, March, p. 94 Dziewior, Yilmaz, "Gastfreundlich", neue bilbende kunst, Feb./Mar., S. 83 |
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| 1996 | Decter, Joshua, "a/drift", catalogue, Oct.96- Jan. 97, p.10 Schaechterle, Beatrice, "Die Kunst Des Handelns", Noema, Dec/Jan 96/97, p. 48 Tiravanija, Rirkrit, "Rirkrit Tiravanija Talks with Peter Fischli and David Weiss", Art Forum, Oct.,pp78 Kawai, Sumi, "Rirkrit Tiravanija", BT, June, pp. 41-44 Smith, Roberta, "Savoring a Medium Whose Bite Has Grown With Age", The New York Times, June, 21 Hainley, Bruce, "Where Are We Going? And What Are We Doing", Rirkrit Tiravanija's Art of Living, Artforum, February, pp. 54-59 Saltz, Jerry, "A Short history of Rirkrit Tiravanija", Art in America, February,pp. 82-85 Lind, Maria, "Letter and Event, Parallel and Palindrome", Paletten, 4/95 #223 Jr.56 p40 Wye, Deborah, "Thinking Print" Kittelmann, Udo, "Rirkrit Tiravanija Untitled", (tommorrow is another day) (Cat.) |
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| 1995 | Karcher, Eva, "Die Stadt lockt...", ART, December, p.130 Martinson, Suzanne, "Edible Art", Pittsburgh Post Gazette, November, 26, p.H6-7 Cameron, Dan, "Cocido y crudo", from the Reina Sofia catalogue Melo, Alexandre, "Guess Who's Coming to Dinner", Parkett, #44 pp.96-129 Gillick, Liam, "Forget about the Ball and Get on with the Game", Parkett, #44 pp.96-129 Flood, Richard & Steiner, Rochelle; 'En Route', Parkett, #44 pp.96-129 Bertilsson, Sofia, and Host-Ekstrom, Mans, "The Small World", Paletten, August, p56-58 Smith, Roberta, "Art in Review", The New York Times, June, 23 Saltz, Jerry, "Live through this", The New Art Examiner, May, pp. 19-22, Jones, Ronald, "Rirkrit Tiravanija and Andy Warhol", frieze, January-February 1995, p. 60 NBK, Neue Bildende Kunst, January, p. 18 Hainley, Bruce, "Rirkrit Tiravanija", Artforum, January Cotter, Holland, "A critic's Dozen to catch at the Biennial",The New York Times, March 12 Weinstein, Jeff, "Eating Around", The Village Voice, July 18 |
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| 1994 | Relyea, Lane, "Fear and loathing at the Whitney", Frieze, Summer, pp. 39-41. Herbstreuth, Peter, "Meet Tim & Burkhard", Der Tagesspiegel, 29. Oktober, p. 21 Foll, Heike, "interview", Ich brauche kein Atelier', zitty, Nr. 22, p.40 Foster, Hal, interview, "Feed", work, #1, p. 22-27 Brown, Gavin, "Otherthings Elsewhere", Flash Art, Summer, S. 102 Schumacher, Rainald, "Koln Kritik", Flash Art, Sommer, p. 51 Troncyo Eric, "It' Alive!", Flash Art, Sommer, p. 105 Cameron, Dan, "Food for Thought", frieze, issue 17, p. 50 Besson, Christian, "Surface de Reparation", Flash Art, Mai/Juni, p. 122 "Surface de Reparations", (cat.), organized by Eric Troncy, Le Consortium, Centre d'Art Contemporain, Dijon, Frankreich "Don't Look Now", (Kat.), essay by Joshua Decter, Threadwaxing Space, New York, "L'Hiver de L'Amour", (Kat.), Musee d'Art de la Ville de Paris, Paris, France "Rirkrit Tiravanija", interview, documents, February, 1994, no. 5, p. 33 |
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| 1993 | Bonami, Francesco, "The Real Stu ff (Dion, Grey, Joo, Pippin, Tiravanija)". Flash Art, May/June, p. 80 Weitzer, Ludo, "The Accidental Tourist", Flash Art, October, p. 44-45 Hixon, Kathrin, "Trouble in Paradise", New Art Examiner, October, p. 31 Schiff, Hajo, "Kunst und Schutt", Kultur, September, 10 Myoda, Paul, "Amateure der Genealogie", Neue Bildende Kunst, 2-93, p. 11-1 "Backstage", (cat.), Hamburg Kunstverein, Hamburg Fleck, Robert, "Spielholle- Asthetik und Gewalt", Rogue, #17, p. 17-32 Holmquist, Karl, "siksi", The Nordic Art Review, issue 4 "Real Time", (cat.), essays by Gavin Brown & Emma Dexter, Institute of Contemporary Art, London, Great Britain "Aperto", (cat.), Biennale Venedig, Venedig, Italy, (Kurator: Matthew Slotover) "Eating with Publicsfear", project for Publicsfear, volume 1, #2, p. 38 Myers, Terry, Review, Tema Celeste, Winter, p. 83 "Sleepless Nights", exhibition pamphlet, PS1 Museum, Queens, NY Weil, Benjamin, "Ouverture", Flash Art, January/February, p. 79 "Simply Made in America", (cat.), Aldrich Museum of Contemporary Art "Wealth of Nations", (cat.), Center for Contemporary Arts, Ujazdowski Castle, Warsaw, Poland Sans, Jerome, "Viennese Story" (Catalogue) |
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| 1992 | "Transgression in the White Cube: Territorial Mapping", (cat.), organized by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT Nesbitt, Lois, Review, Artforum, December, p. 95 Smith, Roberta, "The Gallery is the Message", The New York Times, 4. October, p. 35 |
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| 1991 | Hess, Elizabeth, "The White Rabbit, (Among Other Alternatives)", The Village Voice, 17. December Heartney, Eleanor, Review, Art in America, June Faust, Gretchen, Review, Arts, April Joseph, Regina, "Being in Nothingness", The West Side Spirit, 4. Feb. |
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| 1990 | Nesbitt, Lois E., "New York", Art Issues, Sept./Oct., Kelly, Deidre, "Works Strange but True", The Globe & Mail, 17. August Hume, Christopher, "Freeze Out'", Toronto Star, 10. August Faust, Gretchen, Review, Arts, May Phora, Pia, Review, Contemporanea, Vol. 3 No. 2, February Hodkin, Carter; Review, Nike Magazine, January |
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| 1989 | Hodgkin, Carter, Review', Nike, vol. 30, Oct./Nov., p. 53 Kramer, Hilton, "Soho Show; Prestigious, maybe, but just more shopworn farce", The New York Observer, 31. July Smith, Roberta, Review, The New York Times, 21. July Wallach, Amei, "The Young Turks' Old Maste", New York Newsday, 16. July |
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| Teaching | ||
| - Columbia University, Associate Professor of Professional Practice, Faculty of the Arts, 2001 present. - IUAV University of Venice, Associate Professor, Graduate Course in Visual Arts, Faculty of Arts and Design, 2003-2004 - Columbia University, Adjunct Assistant Professor, Faculty of the Arts, 1999-2000 - Royal Danish Art Academy, Guest Professor, Dept. Walls and Space, 2001-2002 - Stadelschule Staalich Hochschule of Bildende Kunst, Frankfurt, Guest Professor, 2001 - National Academy of Fine Arts, Oslo, Norway, Guest Professor/Visiting Artist, 2001 |
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| Residencies | ||
| - Ontario College of Art and Design, Nomadic Residents: International Artist Residency Project, April 2-5, 2007 |
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| Society Memberships and Appointments | ||
| President, The Land Foundation Advisory Board Member, New Media Institute, University of Chiang Mai, Thailand, 2003 Advisory Board Member, CCA, Kytakyshu, Japan, 2003 Advisory Board Member, Tokyo Wondersite Cultural Arts Center Tokyo, 2003 Advisory Board Member, Carnegie International, 2002-2004 |
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| Grants and Awards | Silpathorn Award 2007 Hugo Boss Prize Benesse, Naoshima Contemporary Art Museum, Japan Smithsonian American Art Museum's Lucelia Artist Award Gordon Matta Clark Grant Louis Comfort Tiffany Award NEA Central Kunst Prize |
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| Public Collections | ||
| Astrup Fearnley Museum of Modern Art, Oslo, Norway Bangkok Museum of Contemporary Art, Bangkok, Thailand Carnegie Museum of Arts, Pittsburgh, USA Fond National d'Art Contemporain, France Fond Regional d'Art COntemporain Languedoc-Roussillon, Montpellier, France Fondazione Sandretto Re Rebaudengo, Turin, Italy Fundacion Tantica, Buenos Aires, Argentina Guggenheim Museum, New York Le Consortium, Dijon, France Louisiana Museum for Moderne Kunst, Humlebak, Denmark Migros Museum, Zurich, Switzerland Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain Museum of Contemporary Art, Los Angeles, USA Museum of Modern Art, New York, USA Saint Louis Art Museum, Saint Louis, USA Sammlung der BRD, Berlin, Germany The Walker Art Center, Minneapolis, USA West LB, Stuttgart, Germany |
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