IMAGE / BIOGRAPHY
| born 1960 | Redhill, England | |
|---|---|---|
| Lives and works in London | ||
| Education | ||
| 1976-78 | O.N.C.Mechanical Engineering, Charles Keene College, Leicester | |
| 1981-82 | Foundation Art & Design, Loughborough College Leicestershire | |
| 1982-85 | B.A Fine Art Sculpture, Brighton Polytechnic | |
| 1986-87 | M.A Fine Art Chelsea School of Art, London | |
| Solo Exhibitions | ||
| 2007 | "Steven Pippin"Domaine de Kerguehennec, Bignan | |
| 2006 | "Cosmological Convolution, Omega = 1", Galleria Arte e Ricambi, Verona; Trudelwindkanal, Berlin-Adlershof |
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| 2005 | "GeoFlatscreen Prototype" , Gavin Brown's enterprise, NY "What is the point", Gallery Side 2, Tokyo "UFO", Klosterfelde, Berlin |
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| 2003 | "Black Hole", Gallery Side2, Tokyo | |
| 2001 | "Journey to the edge of the artworld", Gavin Brown's enterprise, NY "Toilet paper Stealing Machine", H.M. Klosterfelde, Hamburg, Berlin |
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| 1999 | "Fax 69", Gallery Side 2, Tokyo "Fax 69", Klosterfelde, Berlin "New Constellation & Geocentric", Royal Observatory, Greenwich "Laundromat - Locomotion", Regen Projects, Los Angeles, CA "Global Warming", Asprey-Jaques, London "Laundromat - Locomotion", P.S. 1, New York, NY "Laundromat - Locomotion", ICA, Philadelphia "Laundromat - Locomotion",Miami, FL |
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| 1998 | "Laundromat-Locomotion", SFMOMA, San Francisco "Lavatory - Locomotion", Helga Maria Klosterfelde, Hamburg, D "Global Warming", DAAD Galerie, Berlin "Geocentric tv", Carl Zeiss Planetarium, Jene "Point of Sale", Comm de Garcon, Tokyo |
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| 1997 | "T.T.V.(Terrestrial Television)", enterprise, New York "Photographien", Klosterfelde, Hamburg "Surroundigs", Museum of Tel Aviv, Israel |
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| 1995 | "Time & motion, F.R.A.C Limousin, Limoges, France "Negative Perspective", Ujazdowski Castle, Warsaw |
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| 1994 | "Migrateurs", ARC Musee d'Art Moderne, Paris "Interior," Regen Projects, Los Angeles "Omnigraph", Jack Hanley, San Francisco "Work from the Recession", Victoria Miro, London "Addendum", Portikus, Frankfurt/Main Germany |
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| 1993 | "Introspective", ICA London | |
| 1991 | "Laundromat Pictures", Sculpture Space, Utica NY | |
| Group Exhibitions | ||
| 2008 | "Domestic Appliance", Flowers East/ Flowers Graphics, London | |
| 2007 | "Art Machines / Machine Art", Schirn Kunsthalle, Frankfurt; Museum Tinguely, Basel (cat.) "What You See is What you Guess", Frac Champagne-Ardenne, Reims |
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| 2005 | "Untitled (Vision Existence Resistence)", curated by Gigiotto del Vecchio, Francosoffiantino Artecontemporanea, Torino |
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| 2004 | Untitled (Vision Existence Resistance), Franco Soffiantino arte contemporanea, Turin | |
| 2003 | Récentes acquisitions pour la collection du Frac Bretagne, Domaine de Kerguéhennec, Bignan, France Helga Maria Klosterfelde Editionen (1990 - 2003), Klosterfelde, Berlin |
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| 2002 | "Self Evident", Tate Gallery, Millbank, London, "Tempo", curated by Paulo Herkenhoff, MoMA QNS, NY |
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| 2001 | "The Fantastic Recurrence of Certain Situations", Sala des Exposiciones del Canal de Isabel II, Madrid |
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| 2000 | "Projects", Gallery Side 2, Tokyo "HausSchau. Das Haus in der Kunst", Deichtorhallen Hamburg "Useless Science", Museum of Modern Art, New York, NY |
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| 1999 | "Einerseits der Sterne wegen ... Der Kstlerblick auf die Planeten" Staatliche Kunsthalle Baden-Baden "Photography: An ExpendeGermanyView, Recent Acquisitions", Solomon R. Guggenheim Museum, New York "The 1999 Turner Prize Exhibition", Tate Gallery, London, GB Sultans Pool, Jerusalem, Israel "Nur Wasser lt sich leichter schneiden", Hedrichsmle, Hamburg "Spiral TV", Spiral/Wacoal Art Center, Tokyo "Silly Victorians", Minories, Colchester "Eye Spy", Contemporary Arts Museum, Houston, Texas |
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| 1998 | "Facing it, Te papa Tongarewa, Museum of New Zealand "Solar system with T.V", Berlin Biennale, Berlin "Secret Victorians, Minories", Colchester, Arnolfini, Bristol "In Visible Light", Moderna Museet, Stockholm "Antechamber", Whitechapel Art Gallery, London "Material Culture", Hayward Gallery, London |
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| 1997 | "Strange Days", Gian Ferrari, Milano "Connection Implicite", Ecole de Beaux Art, Paris |
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| 1996 | "Do-it", Kjarvalsstadi Reykjavic, Iceland The Cauldron, Dean Clough, Halifax, England Playpen & Corpus Delirium, Kunsthall Zurich "Campo 6", Galleria d'Art moderne, Turin "Life/Live", ARC, Musee d'Art Moderne, Paris "Full house", Wolfsburg Kunst Museum, Germany "Sites of the visual", Art gallery of Windsor, Canada |
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| 1995 | "Minky Manky", South london gallery London Kwangju Biennale, Korea "Brilliant", Walker Art Centre, Minneapolis "Passion Privees", Musee d'Art Moderne, Paris "Lo-Fi", Lauren Wittles, New York "Self Made", Grazer Kunstverein Graz Austria |
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| 1994 | "Retrospective", A/C Projectroom/enterprise, New York "Cloaca Maxima", Museum de Stadtenwasserung, Zurich "Audience 0.01 ", Flash Art Museum, Trevi, Italy "Domestic Violence", Gio Marconi, Milan "Rien a signler", Galeria Analix Geneve Switzerland "Conceptual Living", Rhizome Amsterdam |
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| 1993 | Max Hetzler Gallery, Koln Germany Aperto 9 Venice Biennale "Wonderful life", Lisson Gallery London Chambre 76 Carlton Palace Hotel, Paris "Self Winding", Nanba City hall, Osaka & Sphere Max, Tokyo Project 44 Museum of Modern Art New York |
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| 1992 | "Insignificant", 10 East 39th St, Suite 525, New York "Twelve British Artists", Barbara Gladstone New York "Home Improvements", 20 West 97th Street, New York |
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| 1990 | "Launderama", London Film Festival (Film Co-op) Leicester Film Festival & Kino Club South London |
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| 1987-88 | Germinations IV. London Marseille Breda & Bonn | |
| 1986 | "New British Sculpture", Art Gallery London | |
| Collections | ||
| Museum of Modern Art, New York F.R.A.C Limousin, Franse. F.N.A.C Paris. Contemporary Art Society, London Tate Gallery, London Guggenheim Museum, New York. Walker Art Centre, Minneapolis. Museum of Art, Tel Aviv |
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| Public artworks | ||
| 2005 | Discovery 1, Gosport Public Library, Hampshire, United Kingdom | |
| 2003 | Black Hole, Permanent Installation, Wissenschaftsforum, Berlin, Germany. | |
| Bibliograpy | ||
| 2006 | Murray, Mary E. and Gina Murtagh, "Substance and Light", published by Munson - Williams-Proctor Art Institute, Utica, New York |
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| 2005 | Pollack, Barbara, Review, Time Out New York, December 8-14 p.67 Carel,Sari, Review, Artforum Online, November Pace, Alessandra, Review, Tema Celeste, July-August, p.76 W.A, Review, Modem Painters, July-August, p.111 |
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| 2003 | Yukiko Matsushita, Esquire, vol.17, August, pp 37 Bijutsu Techo, no.836, July, pp 226 Harper's Bazaar, no.033, June Midori Matsui, Sankei newspaper, 25 June Pen, no.106, May, pp 108 Gallery, no. 217, May, pp |
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| 2002 | Koukoku, vol.354, November, pp 27 Freedman, Carl, Interview, in Public Affairs, published by Kunsthaus Zurich, Zurich, Switzerland |
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| 2001 | Stange, Raimar, Art Now, Taschen, Koln Wilmer, Elga, et. Al, Metropolis Now, published by Borusan Culture and Art Center, Istanbul, 2001 |
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| 2000 | Sumiyoshi, Chie, Brutus, No.458, July 1, pp 160 Shinkawa, Takashi, Menfs Ex, No. 74, June, pp194 Nobi, Chijimi, etc., "Perspective for Low-Speed II", vol.21, May, pp 3 Sumiyoshi, Chie, Brutus, No.453,April 15, pp 103 Schaffner, Ingrid, "Dirty Hole: Steven Pippin's Obscure Routes", Art on Paper, January- February, pp. 34-39 |
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| 1999 | Harada, Tamaki, Bijutsu Techo, "Fax69", vol.51, No.780, December, pp 166 Motoaki Hori, "Fax69"Ryuko Tushin, vol.435, Octber |
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| 1998 | Harper's Magazine, Feb. p. 21 (image) Stange, Raimar, "Der Bildverderber", Kunst- Bulletin, December Baker, Kenneth, "Washing Machines' Unscrubbed Images", San Francisco Chronicle, February 17 Kawade, Eri, Bijutsu Techo, Interview, No.763, November Mr.Pippin, Laundromat-Locomotion,"Applied Photography", SFMOMA,pp 152-159 Jana, Rena, "Laundromat-Locomotion", New York Times Magazine, Feb 15 Laundromat-Locomotion, Dazed & Confused, pp 98-73, January |
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| 1997 | "Antechamber", catalogue, Whitechapel Art Gallery, London, UK Germinations IV, catalogue, Paris Israel, Nico, "Steven Pippin", Flash Art, summer, pp.138-139 Johnstone, Lesley, "Sites of the Visual" catalogue, Art Gallery of Windsor, Ontario Halle, Howard, "As the world turns" Time Out New York, Feb.,20-27 |
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| 1996 | The Cauldron", catalog, The Henry Moore Studio, Halifax, Nova Scotia, Canada "Playpen & Corpus Delirium", catalog, Kunstahalle Zurich, Zurich, Switzerland "Life/Live", catalogue, ARC, Paris, France MacRitchie, Lynn, "Their Brilliant Careers," Art in America, April, pp.81-85 Muller, Silke, "Ein Medium gewinnt seine Freiheit," Art, Hamburg, June pp. 30-41 Obrist, Hans Ulrich, "Migrateurs", Living, January, pp.25-27 Sladen, Mark, "Vice and Versatility", Art Press, June, pp.36-41 |
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| 1995 | "Selfmade", catalogue, Grazer Kunstverein Kent, Sarah, "Kunstlerportrats," Neue bildende Kunst, June / August, pp.43-49 "Negative Perspective", catalogue, Center Contemporary Art, Warsaw, Poland "Portfolio", Grand Street, No.54, p177-84 Le Mouellic, Maria, "L'Insaisissable Steven Pippin," Beaux Arts, June, p.133 "Addendum", catalogue, essay by Carl Freedman, Portikus, Frankfurt, Germany Barrett, David, "Minky Manky", Art Monthly, May pp.30-32 "Discovering the Secrets of Monsieur Pippin", catalogue, FRAC Limousin, Limoges, France Horsefield, Cragie, "the continuing saga of an amateur photographer", Frieze, January/ February, pp. 26 - 31 Jacques, Alison, "Global Art", Flash Art, January Hoffman, Justin, "Self-Made", Frieze, p. 68 |
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| 1994 | Frankfurter Allgemeine Zeitung, December Babias, Marius, "Cloaca Maxima", catalogue, Museum der Stadtenwasserung, Zurich, Switzerland "Migrateurs", published by Hans-Ulrich Obrist & Musee D'Art Moderne de la Ville de Paris, France Smith, Roberta, "The New Realism", The New York Times, January 9, p. 34-35 Saltz, Jerry, "One Giant Step Backwards for Photography", Art in America, March, p. 84-87 Scheldahl, Peter, "Entropy in Action", The Village Voice, April 30 Kandel, Susan, "Pippin determined to invent the camera all over again", The Los Angeles Times, May 7, pp12-13 Evren, Robert, "Projects 44: Sarah Lucas, Steven Pippinh, Museum of Modern Art, New York Jacques, Alison-Sarah, Interview, Flash Art, Summer, p. 99 Auerbach, Lisa Anne, Review, Artforum, October |
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| 1993 | Saltz, Jerry, "Mayday, Mayday, Mayday", Art in America, September, p. 40-45 Jacques, Alison Sarah, Interview, Flash Art, Summer, p. 99 "Introspective", catalogue, essays by Brian Catling and Stuart Morgan, published by Gavin Brown's enterprise & ICA, London Lillington, David, Review, Time Out, June 30 Heuser, Margherita, Interview, Zoom, Summer, p. 6-7 "Aperto 93", catalog, p. 374-375, Venice Bienale, Venice, Italy Venice Bienale Catalogue, Venice Italy Bonami, Francesco, Review, Flash Art, May/June, p.8 Saltz, Jerry, "10 Artists for the 90s", Art & Auction, May, p. 124-125 |
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| 1992 | McArther, Euan, Art Monthly, Dec/Jan, p. 22-23 Pin-Hole Journal, August, p. 23 "Laundromat Pictures", project, Frieze, Sept/Oct, #6, p. 14-15 "Laundromat Pictures, " Pinhole Journal, August, p. 23 Review, Kunstforum, November, p. 397-398 Smith, Roberta, Review, The New York Times, October 16 Schjeldahl, Peter, Review, Frieze, Nov/Dec, #7, p. 45 |
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| 1991 | Kover, Jonas, "Sculptor playing with a full load",Observer Despatch (Utica NY), June 25 | |
| 1986 | Burns, Bill, Review, Art Monthly, July/August, #98, p. 12-13 |
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