IMAGE / BIOGRAPHY
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| born 1965 | Danbury, CT | |
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| Lives and works in New York | ||
| Education | ||
| 1984-87 | School of Visual Arts, New York, BFA | |
| Awards | ||
| The Larry Aldrich Award, 2006 | ||
| Solo Exhibitions | ||
| 2008 | Gavin Brown's Enterprise, New York, NY, April 18 - May 17 | |
| 2007 | Regen Projects, Los Angeles, CA | |
| 2006 | Paintings 1994-2002, Gavin Brown's enterprise, Sadie Coles HQ, Barbara Gladstone, at Jane Holzer apartment, New York Neugerriemschneider, Berlin Guild Hall, Easthampton, NY |
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| 2005 | Glenn Horowitz Bookseller, East Hampton, NY Sadie Coles HQ, London |
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| 2004 | Gavin Brown's enterprise, NY | |
| 2003 | Neugerriemschneider, Berlin Elisabeth Peyton: New Paintings, Regen Projects, Los Angeles, CA Elizabeth Peyton and Tony Just, New Works on Paper, Orient Historical Society, Orient, NY Roma Roma Roma, Italy |
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| 2002 | Sadie Coles HQ, London "Elizabeth Peyton", neugeriemscneider, Berlin "Elizabeth Peyton: New Monotypes and Etchings", Gavin Brown's enterprise, NY Salzburger Kunstverein, Salzburg, Austria Royal Academy, London |
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| 2001 | "Elizabeth Peyton", Gavin Brown's enterprise, NY "Elizabeth Peyton", Deichtohallen Hamburg, Hamburg |
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| 2000 | "Elizabeth Peyton: Tony sleeping," Westfalischen Kunstverein Munster Aspen Art Museum, Aspen, CO (cat.) Sadie Coles HQ, London Gavin Brown's enterprise, NY |
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| 1999 | Regen Projects, LA Museum of Contemporary Art, Castello di Rivoli, Torino, Italy Gavin Brown's enterprise, NY Neugerriemschneider, Berlin, Germany |
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| 1998 | Georg Kargl, Vienna, Austria Galleria Il Capricorno, Venice, Italy Portikus, Frankfurt, Germany Museum fur Gagenwertskust, Basel Kunstmuseum Wolfsburg, Germany Seattle Art Museum, Seattle, WA Sadie Coles HQ, London, UK |
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| 1997 | Gallery Side 2, Tokyo, Japan Galerie Daniel Buchholz, Koln, Germany Gavin Brown's enterprise, New York, NY Regen Projects, Los Angeles, CA St. Louis Art Museum, St. Louis, MO |
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| 1996 | Gavin Brown's enterprise, New York, NY Galleria Il Capricorno, Venice, Italy Neugerriemschneider, Berlin, Germany |
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| 1995 | Cabinet Gallery at The prince Albert, London, England Burkhard Riemschnieder, Koln, Germany Gavin Brown's enterprise, New York, NY |
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| 1993 | Hotel Chelsea, Rm 828, New York, NY | |
| 1992 | Water Closet, Novocento, New York, NY | |
| 1987 | Althea Viafore, New York, NY | |
| Group Exhibitions | ||
| 2008 | "Depreciation and Devastation," curated by Darren Bader, Gavin Brown, and Tony Just, GBE @ Passerby, New York, NY, March 7 |
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| 2007 | "Makers and Modelers: Works in Ceramic," Gladstone Gallery, New York, NY, September 8 ? October 13 "Old School," Hauser & Wirth Colnaghi, London, England, May 11 ? June 9 "Still Life & Kicking," Paula Cooper Gallery, New York, NY May 10 ? June 8 "Very Abstract and Hyper Figurative," curated by Jens Hoffmann, Thomas Dane Gallery, London, England, March 15 ? April 14 "Like color in pictures," Aspen Art Museum, Colorado, February 16 ? April 15; cat. "Fast Forward: Contemporary Collections for the Dallas Museum of Art", Dallas Museum of Art, Dallas, Texas, February 11 ? May 20; cat. |
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| 2006 | "Essential Painting," National Museum of Art, Osaka, Japan, October 3 ?December 24 "Elizabeth Peyton Prints 1998-2006," Guild Hall, East Hampton, New York, August 12 ? October 22 "Surprise, Surprise," Institute of Contemporary Art, London "The Name of the Show Is Not ‘Gay Art Now’," curated by Jack Pierson, Paul Kasmin Gallery, New York "Good Vibrations," Papesse Centro Arte Contemporanea, Siena , Italy "Contemporary Masterworks: Saint Louis Collects," curated by Paul Ha, Contemporary Art Museum of St. Louis, St. Louis, Missouri "Garden Paradise," The Arsenal Gallery in Central Park, New York "Likeness: Portraits of Artists By Other Artists"(traveling exhibition), Illingworth Kerr Gallery, Alberta College of Art & Design Calgary, Alberta, Canada |
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| 2005 | "Vogue Nudes," Mitchell-Innes & Nash, New York "Drunk vs. Stoned 2," Gavin Brown's enterprise "girls on film", Zwirner & Wirth, New York, curated by Kirsty Bell "Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo," curated by Franceso Bonami, Turin, Italy "Superstars: from Warhol to Madonna", Vienna Kunstforum/ Vienna Kusthalle "Getting Emotional", ICA, Boston, curated by Nicholas Baume "Mother & Child", Ferragamo, New York, curated by Andrea Salerno & Carmen Zita "Likeness: Portraits of Artists By Other Artists"(traveling exhibition), ICA , Boston, Jan.19-May1; Dalhousie University Art Gallery, Halifax, Nuova Scotia, Canada, May 26-July 31; University Art Museum, California State University at Long Beach, Aug. 30-Oct.30 "Nick Mauss and Elizabeth Peyton," Glenn Horowitz Bookseller, East Hampton, NY, August 13 ? September 14 "North Fork/South Fork East End Art Now", The Parrish Art Museum, |
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| 2004 | "Direct Painting -- Die Neue Kunsthalle IV," Kunsthalle Mannheim, Mannheim, Germany, November 6, 2004 ? May 1, 2005 "Eye of the Needle," Roberts & Tilton, Los Angeles, CA, October 23 ? November 13 "Treasure Island: 10 Years Collection Kunstmuseum Wolfsburg," Kunstmuseum Woflsburg, Germany, February 7 ? April 18 "Likeness: Portraits of Artists By Other Artists" (traveling exhibition), California College of Arts Wattis Institute for Contemporary Arts, San Francisco, CA, Jan.28-May 1; McColl Center for Visual Art, Charlotte, NC, Sept. 3-Nov. 6 "Contemporary Painting," Colby College Museum of Art, Waterville, ME, curated by Alex Katz "Beginning Here: 101 Ways," Visual Arts Gallery, New York, NY curated by Jerry Saltz "North Fork/South Fork: East End Art Now," Parrish Art Museum, Southampton, NY Whitney Biennial, Whitney Museum of American Art, New York |
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| 2003 | "Inaugural Exhibition," Gavin Brown's enterprise, TION SPECIALE, Galerie Suzanne Tarasieve, Paris "Inaugural Exhibition", Regen Projects, Los Angeles, CA "Portraiture," Karyn Lovegrove Gallery, Los Angeles, CA "Painting Pictures," Kuntsmuseum Wolfsburg, Wolfsburg "Reverie: Works from the Collection of Douglas Kramer," Speed Art Museum, Louisville, KY, July 22-October 5 "Pittura/Painting," la Biennale di Venezia, curated by Francesco Bonami,Venice, Italy, cat. "The Fourth Sex: Adolescent Extremes," Pitti Imagine Discovery, Milan, Italy curated by Francesco Bonami and Raf Simons (cat.) "Faces and Figures," Art Museum at Florida International University, Miami "Il Quarto Sesso," Stazione Leopolda, Florence "Under Pressure: Prints from Two Palm Press," The Cooper Union School of Art, New York "Inaugural Exhibition," Regen Projects, Los Angeles |
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| 2002 | "Drawing Now: Eight Propositions," Museum of Modern Art, New York (cat.) "DEAR PAINTER,...Paint Me", Centre Georges Pompidou, Paris "Remix," Tate Liverpool, Liverpool, UK (cat.) Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA,curated by Klaus Kertess (booklet) |
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| 2001 | "New to the Modern; Recent Acquisition from the Department of Drawing", Museum of Modern Art, New York, NY, curated by Laura Hoptman "Abbild recent portraiture and depiction", Landesmuseum Joanneum, Graz, Austria, curated by Peter Pakesh (cat.) "Azerty", Musee National d'Art Modene, Centre Georges Pompidou, Paris, France "Beautiful Productions: Art to Play, Art to Wear, Art to Own," The White Chapel Art Gallery, London, England "Collaborations with Parkett; 184 to now", The museum of Modern Art, New York, NY (cat.) "About Face; Selections from the prints and illustrated books department", The Museum of modern Art , New York, NY Galerie Jennifer Flay, Paris, France "Longing and Memory", Los Angeles County Museum of Art, Los Angeles, CA |
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| 2000 | "American Academy Invitational Exhibition of Painting and Sculpture", American Academy of Arts and Letters, New York, NY "Interventions", Milwaukee Art Museum, Milwaukee, WI (cat.) "Greater New York", PS1, Long Island City, NY (cat.) |
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| 1999 | "ef1ny999", Tomio Koyama Gallery, Japan Malerei, INIT Kunst-halle, Berlin, Germany Kunstmuseum Wolfsburg: Gesammalte Werke 1, Zeitgenossische Kunst seit "1968", Kunstmuseum Wolfsburg, Germany Museum of Contemporary Art, Chicago, IL anAzonas Kunstlerbucher, Villa Minimo, Hannover, Germany "Free Coke", Greene Naftali, New York ,NY "Village Disco", Cabinet, London, UK "Examining Pictures", Whitechapel Art Gallery, London, UK; Museum of Contemporary Art, Chicago, Il; UCLA at the Hammer Museum, Los Angeles, CA (cat.) "Parallel Lines: Mix and Match" (curated by Barbara Toll), Karen McCready Fine Art, New York, NY |
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| 1998 | "Sisi, Sisimus, Sisismen", Galerie Menotti, Baden, Austria (cat.) "Hanging", Galeria Camargo Vilaca, Sao Paulo, Brazil (cat.) "Young Americans II", Saatchi Gallery, London, UK (cat.) "Tell me a Story", Magasin, Grenoble,France (cat.) "People II", Monica de Cardenas, Milan, Italy "Exterminating Angel" (curated by Joshua Decter), Ghislaine Hussenot Gallery, Paris, France "Magasin," Centre National d'Art Contemporain ly de Grenoble "Auf der Spur", Kunsthalle Zurich, Switzerland Galerie Daniel Buchholz, Koln, Germany |
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| 1997 | "Coming Home Again", Visual Arts Gallery, New York, NY Kunst...Arbeit, Sudwest LB, Stuttgart, Germany (cat.) "Truce: Echoes of Art in an Age of Endless Conclusions". Site Santa Fe, NM The Saint Louis Art Museum, Saint Louis,MS (cat.) Center for Curatorial Studies, Annandale-on-Hudson, NY (cat.) "Projects 60" w/ Luc Tuymans and John Currin, The Museum of Modern Art, New York "Antlitz", Max-Gandolph-Bibliothek, Salzburg, Austria "New Work: Drawings Today", San Francisco MOMA, San Francisco, CA "Kunst...Arbeit", Sudwest LB, Stuttgart, Germany (cat.) "Heaven", P.S.1, New York, NY (cat.0 "Hirsch Farm Project", Hirsch Foundation, Northbrook, IL "Longing and Memory", Los Angeles County Museum, Los Angeles, CA |
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| 1996 | "Ein Stuck von Himmel", Kunsthalle Nurnberg, Germany (travelled to: South London Gallery, London, UK; Southampton Art Gallery, Southampton, UK; Cornerhouse, Manchester) (cat.) "a-drift" (curated by Joshua Dector), Bard College, NY (cat.) "Universalis", Sao Paulo Bienal, Sao Paulo, Brazil (cat.) "Wunderbar", Kunsterverien Hamburg, Hamburg, Germany (cat.) "Wunderbar", Kunstraum, Wein, Austria (cat.) Victoria Miro Gallery, London, UK Stefano Basilico Fine Art, New York, NY "Screen" (curated by Joshua Dector), Fredrich Petzel Gallery, NY |
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| 1995 | "Campo" (curated by Francesco Bonami), Venice Bienalle, Italy (cat.) "Space Odyssey", Koreneou Gallery, Athens, Greece "The Enthusiast", Gavin Brown's Enterprise, New York, NY |
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| 1994 | "Swan", Tom Cugliani Gallery, New York, NY "Don't Postpone Joy of Collecting Can Be Fun" Austrian Cultural Institute, New York, NY |
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| 1993 | "Okay Behaviour" (curated by Gavin Brown and Gareth Jones), 303 Gallery, New York, NY "Little Thing", (curated by Laura Hoptman), Randolph St Gallery, Chicago, IL; (travelled to: Delta Arts Axis, Memphis, TN; Art in General, New York, NY) |
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| Bibliograpy | ||
| 2008 | Heartney, Eleanor, Art & Today, published by Phaidon, London, England, 2008,pp.101-3,ill Robinson, Walter, "Elizabeth Peyton," Whitewall, spring, pp 114-125, ill. |
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| 2007 | Catalogue, "Collection Art Contemporain,"published by Centre Pompidou, Paris, France, p. 358, ill. Catalogue, Fast Forward: Contemporary Collections for the Dallas Museum of Art, published by the Dallas Museum of Art, Dallas, Texas, p. 316, ill. Catalogue, Like Color in Pictures, published by the Aspen Art Museum, Aspen, Colorado, pp. 25-6, ills Smith, Roberta, "It's Just Clay, but How About a Little Respect?" The New York Times, September 7, B27, B36 Krhlanovich, Grace, "Celebrities and unknowns", LA Weekly, March 22, p. E46, ill. Pagel, David, "Small gestures made large", The Los Angeles Times, March 16, p. E23 Stolz, Matthias, "Kunst am Ball", Leben Die Zeit, no. 19, May 3, p. 69, ill. "Elizabeth Peytons Sommermarchen", Monopol, no. 5, May, p. 15, ill. Hirsch, Faye, "Elizabeth Peyton at Guild Hall", Art In America, January, pp. 149-150, ill. Munoz, Jose, "The Sense of Watching Tony Sleep," South Atlantic Quarterly, Summer Bookforum, April-May, cover illustration Bookforum, February-March, cover illustration |
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| 2006 | Gasparina, Jill, "Imaginaire: Mode d'Emploi, ‘L’Art Contemporain et la Mode'" published by Editions Cercle d'Art, Paris Bald Ego, No. 3, pp. 156-59 Getlein, Mark, "Living With Art (8th Edition) " published by McGraw Hill, New York, p. 179 Bookforum, December-January 2007, cover illustration Lee, Carol. "Peyton Place," Paper, Vol. 23, No. 3, September, pp. 74-76 Johnson, Ken, "Beautiful People Caught in Passivity," New York Times, August 18, pp. E25-26 Herbert, Martin, Book Review: Monographs, Modern Painters, May, pp. 124-25 Saltz, Jerry, "Portrait of the Artist as a Young Artist", The Village Voice, January 18, p. 72 Kazanjian, Dodie, "Art Goes Naked," Vogue Nippon, March, p. 109 |
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| 2005 | Higgs, Matthew; Lafreniere, Steve: "Elizabeth Peyton," published by Rizzoli, New York Kazanjian, Dodie, "Body Language," Vogue, December pp. 320-31 Brugger, Ingried, Gerald Matt, Superstars: von Warhol bis Madonna, exhibition catalog, published by Hatje Cantz Holland, Charles, Review, Modern Painters, June , pp.117-18 Garrett, Craig, Review, Flash Art, May-June, p. 150 Taguchi, Masami, "Creator's Voice", MyLohas, May, pp. 104-105 Wilcox, T.J., "Personal Affects," Artforum, April, p. 167 Saltz, Jerry, "The Richter Resolution," Modern Painters, April pp. 28-29 (ill.) Fisun, Guner, "Flattery Gets you Nowhere", MetroLife, 14 March Joe, Ambrose, "Elizabeth Peyton", Outside Left, 12 March William, Packer, "Art with a Tantalising Freshness" Financial Times, 9 March Jessica, Lack, "Preview: Elizabeth Peyton", The Guardian Guide, 5 March "Crazy in Love", Paper, February, p. 49 (ill.) Wei. Lilly, "The Saced Precinct of Modernism", ARTnews, January, pp. 110-111 |
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| 2004 | Nickas, Bob, "People Take Pictures of Each Other," Influence, Issue 2, pp. 90-109 "The Year in Prints: The First Annual. New Prints Review. Technical Porn", Art on Paper , November/December, Vol. 9, No. 2, p. 58 Kazanjian, Dodie, "Peyton's Place," Vogue, USA, October, pp. 358 ? 363; 391 Sternberg, Adam, "Why Is Nicole Kidman So Hard To Love?," New York Magazine, p. 69 (ill.) LaFreniere, Steve, "My Bohemia," The New York Times Magazine, October 3, Section 6, pp. 70 - 75 Smith, Roberta, "Caution: Artists at Work," The New York Times, Fine art Leisure, Friday, August 27, pp. E23; E 25 "American Pie," Frieze, May, issue No. 83, p. 66 (ill.) "Electoral Collage, a portfolio," Artforum, September, Vol XLIII, No. 1, p. 237 photo. Northfork/SouthFork, New Yorker, July 5, p.21 Irael, Nico, "People are Talking About" Northfork/Southfork,Vogue, June p. 142 Hayes, Erin, Hampton Jitney Magazine, June, pp.12-13 Diez, Renato, "Alla Biennale del Whitney," Arte, April, cover and pp. 104-111 Bankowsky, Jack, "This is Today," Artforum, May, pp. 170-171; 233 Review, The New Yorker, May 10th, p. 24 Kaplan, Cheryl, Interview with Elizabeth Peyton, deutsche-bank-kunst.com Finch, Charlie, "Return to Peyton Place," artnet.com Kimmerlman, Michael, "Touching all Bases at the Biennial, "The New York Times, Friday, March 12, p. 1 Saltz, Jerry, "The OK Corral," The Village Voice, March 15 Schjeldahl Peter, "What's New," The New Yorker, March 22, pp. 100-101 McKenzie, Lucy, "Top Ten," Artforum, Summer pp. 96 Heartney, Eleanor, "The Well-Tempered Biennial," Art in America, June/July, p.70-77 International Curators International, ICI, p.11 (ill.) |
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| 2003 | Neuenschwander, Simone and Raimar Stange, "Elizabeth Peyton", NeueReview, December, pp. 24-27 Sugatsuke, Masanobu, Invitation, June, p.62 Morton, Tom, Review, Frieze, May, p. 87 Magazin 7, Salzburger Kunstverein. pp. 56-61 (catalogue)s Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins, p. 5 "The Fourth Sex: Adolescent Extremes," edited by Francesco Bonami and Raf Simons, published by Pitti Imagine Discovery and Charta, Milan, Italy "Faces and Figures," Art Museum at Florida International University, January 17- March 9, p.20 (cat) Drolet, Owen, "Drawing Now: Eight Propositions," Flash Art, January/February, p. 56 |
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| 2002 | Grzonka, Patricia, "Kunstlerkosmos," Kunstbulletin, October, pp. 40-43 Gingeras, Alison M., Vitamin P, Phaidon Press, London, pp. 244-247 Saltz, Jerry, "Good on Paper," The Village Voice, October 30 ? November 5 Halle, Howard, "Papering the House," Time Out NY, November 7-14, p. 81 Smith, Roberta, Retreat from the Wild Shores of Abstraction," The New York Times, Fine Arts Leisure, Friday, October 18, pp. 31, 33 Schjeldahl, Peter, "The Drawing Board,'" The New Yorker, November 2, pp. 102-103 Another Magazine, Autumn/Winter, p. 361 "Artist Project," Tate International Arts and Culture, September/October, pp. 64-72 Rimanelli, David, "Peyton Palace," Vogue Paris, June July, pp. 164-169 Steiner, Rochelle, "Art Now," published by Taschen, Koln Smith, Roberta, "Europe Shows the Staying Power of Paint," The New York Times, July 21, Arts & Leisure's section The New Yorker, June 17 & 24, p. 29 "Remix," published by Tate Liverpool, Liverpool, UK Leffingwell, Edward, review, Art in America, March, pp. 128-129 Kennicott, Philip, "Art City," The Washington Post, February 3 Verzotti, Giorgio, review, Artforum, February, pp. 139-140 Amy, Michael, review, Tema Celeste, January/February, p. 75 |
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| 2001 | Johnson, Ken, review, The New York Times, Friday November 23, Fine Arts section Schjeldahl, Peter, "At the museum staightforward paint," The New Yorker, December 17, p. 38 Srange, Raimar, "Women Artists", Taschen, edited Uta Grosenick Review, The New Yorker, November 5, p. 18 Roshani, Anuschka, :Schonheit ist das Synonym fur Liebe", Brigitte, September, pp. 86-91 Todd, Stephen, "Peyton's Place", Jalouse, September, pp. 140-145 Miles Christopher, Review, ArtForum, January Dziewior, Yilmaz, Art Now, Taschen, Koln Peyton, Elizabeth, photographs, "Real Life", Index, February "Kunst Museum Wolfsburg", Tema Celeste, February Czopp, Teddy, "Sweepstakes", Dutch, January/February |
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| 2000 | Honigman, Ana, "Pretty Boys: Elizabeth Peyton", Zing Magazine, No. 13, pp. 229-230 Gingeras, Alison, "Subversion du Kitsch", Art Press, December, pp. 28-36 Soonthornsawad, Jay-Noppanat, "Elizabeth Peyton", How-To Magazine, September, pp. 48-49 Lettmann, Achim, "Wetferne Aura", Westfalischer Anzeiger, July Harvey, Doug, "Elizabeth Peyton", Art Issues, January/February, p. 51 Kohler, Michael, "Narziss am Morgen", Frankfurter Rundschau, July Luz, Kathrin, "Lacheln Verboten", Die Zeit, August Lutkemeyer, Marcus."Tckischer Starschnitt", 616, No. 171, August Rasch, Uwe, "Psychosomatik und Marktwert", WN, July Halle Howard, "State of the Art", Time Out New York, p. 80 Gewahr, Keine, "Ausstellungen", WN, August 8th Johnson, Ken, Review, The New York Times, March 31st Danek, Sabine, "Die Aura der Entruckten", Kultur-Spiegel Online, July 25th Jennen, Manuel, "Auf Rosaroten Kissen", MZ, July "Fine and Dandy", Blue Print , No. 29 "Elizabeth Peyton", Brutus, Tokyo, April "Sub-Culture in Super Culture", Hanatsbaki, no. 597, Tokyo, March "Ellizabeth Peyton", Inter Vista, Vol. IV, Summer "Public Art Fund'annual Spring Benefit", In Process, Vol. 8,Spring Kunitz, Daniel, "Pop Portraitist", Art & Antiques, Summer, pp. 116-119 Moreno, Gean, "High Noon in Desire Country", Art Papers Magazine, March/April, pp. 30-36 Pruitt, Rob and Lafreniere, Steve, "Elizabeth Peyton", Index, July, pp. 54-61 Avenue, Special Tribute Issue Miles, Christopher, Review, Artforum, January |
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| 1999 | Philippi, Anne, "Elizabeth Peyton", Park & Ride, July/August, pp.8-9 Wong, Gloria M., "from the desk of...", Bazaar, June, p. 52 Lewis, Jim, "Pop Culture's Mirror", Interview, June, p.52 Saltz, Jerry, "Getting Real", The Village Voice, April 20 Scott, Whitney, "Elizabeth Peyton's Place", Detour, April, p. 138 Arning, Bill, "Elizabeth Peyton", Poliester, p.16-21 "Elizabeth Peyton's Top Ten", Artforum, March, p. 38 "Elizabeth Peyton", Olive, Tokyo, February Kunitz, Daniel, "Changing Faces", ARTnews, March, p. 106-111 Pagel, David, "Elizabeth Peyton, " Los Angeles Times, November 5, p.F26 Sobel, Dean, "Interventions", catalogue, Milwaukee Art Museum |
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| 1998 | Beil. Ralf, "Elizabeth Peyton," Band 142, Oct. ? Dec., pp.454-55 Darwent, Charles, "American Gothic", New statement, September 4 Collings, Mattew, " It Hurts: New York Art From Warhol to Now", p. 125 Hubbad, Sue, " Elizabeth Peyton" Time Out, March 25-April Dorment, Richard, "A Brush with Young America", The Daily Telegraph, Aug. 26th, p.19 Renton, Andrew, "A Continuous Displacement", Flash Art, XXXI, p. 94 Vettese, di Angela,"Come dare un contorno agli affetti", Il Sole-24 Ore, July 5th, p.37 Christorfori, Ralf, "Harry und Prinzessin Di beim Fernsehen", Frankfurter Allgemeine Zeitung, June 29, p.47 Pesch, Martin, "Im Schatten junger Mannerblute," die tageszeitung, 03, June, p.17 Muir, Robin, "Star gazer", Independent Sunday Magazine, Feb 21, p.24-25 Wakefield, Neville, "Elizabeth Peyton", Elle Decor, March, p. 72 Concepcion, Teresa, "Elizabeth Peyton Portrait of an Artist", Heartbeat, March,p.6 Lin, Jeremy, "Elizabeth Peyton Innocent Mission", Surface, issue 13, p.97 Fairbrother, Trevor, "Prime of Life", brochure, Seattle Art Museum "Paint Pops", J17, Nov., p. 107 Negrotti, Rosanna, "States of Mind", What's on, Oct. 7, pp.8-9 Januszczak, Waldemar, "Young Turk no More", Sunday Times, Sept. 27 Packer, William, "The pointlessness of irony", Financial Times, Sept. 15 Gayford, Martin, "The Art Game", The Spectator, Sept. 12, p. 48 Karcher, Eva, "Im Auge Des Hurrikans", Elle, Sept. 12, pp. 83-84 Searle, Adrian, "The infants Liam and Noel on the sofa...Is this what passes for the new American Dream?", The Guardian, Sept. 7, p. 19 Burton, Jane, "Mad in the USA", The Daily Express, Sept. 5 Coomer, Martin, "Young at Art", Time Out, Sept. Italian Vogue, July, pp. 194-195 Viegas, Camila, "Mostra aponta rumos da pintura moderna", Coderno 2, May 4 Swenson, Ingrid, "Not Just a Pretty Face", Make 79, March - May Hubbard, Sue, Review, Time Out, Mar. 25- April 1 Maloney, Martin, "The Art of Elizabeth Peyton", Frank, March Price, Dick, "Exhibition of the Month", I-D, The Ego Issue, March, p. 56 Fredericksen, Eric, "Fan's Eye View", The Stranger, Jan 22 Makrogiannis, Eugenie,"Painter Explores Dreamy Worlds", Downtown Source, p.5, Jan 5-11 "UK Artist Q & A, Elizabeth Peyton", The Art Newspaper, March Borschke, Margie, "Unabashed Celeb Worship", Jane, April Parkett # 53, pp.58-92. Includes the essays "An Interview with a Painter", by Model, by Linda Pilgrim; "In Praise of Hands. Elizabeth Peyton's Painting", by Philip Ursprung"; "A Tender Trap", Lisa Liebmann. Stange, Raimar, Artist Kunstmag #37, pp. 46-50 Evening Standard, September 1998 |
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| 1997 | Updike, Robin, "SAM's smaller gems", The Seattle Times, E8, Dec 30 Hickey, Dave, "Top Ten of 1997", Artforum, December, p. 89 Mitchell, Charles Dee, "New Narratives", Art in America, Nov., p. 43-47 Van der Walle, Mark, "Contact with a Coldhearted Muse", Parkett #50/51, p. 240-245 "Kunst..Arbeit", Katalog, Sudwest LB, Stuttgart, p.210-213 Marcori, Roxana; Murphy, Diana, "Sinaiko, Eve (Hrsg,)", New Art, New York Muller, Silke, "Pop Art plus Emotion", art das kunstmagasin, October, p.45 Aupetitallot, Yves, "Tell Me A Story", catalogue Hayt, Elizabeth , US Vogue, September, pp. 464-468 Dobrzynski, Judith, "A Popular Couple Charge into the Future of Art, but in Opposite Directions", The New York Times, Sep 2, p.C11/C13 Smith, Roberta, "Projects", New York Times, August 1 Steiner, Rochelle, "currents 71", brochure, The Saint Louis Art Museum Schjeldahl, Peter, "The Daub Also Rises", The Village Voice, July, 29, p. 85 Darling, Michael, "The Baggage of Time", LA Weekly, June 20-26, p. 57 McKenna, Kristine, "The Contemporary Not Temporary at LACMA", Los Angeles Times, June 7, p. F15 Knight, Christopher, "Beguiled by 'Longing and Memory'", Los Angeles Times, June 7, pp. F1, F14 Steinke, Darcy, "The Beautiful People", Spin Magazine, June, p. 12 Saltz, Jerry, Review, Time Out New York, Mar 27-April 3, p. 43 Schjeldahl, Peter, "Peyton's Place", The Village Voice, March 25 Cotter, Holland, The New York Times, March 21 "Pop Art", The New Yorker, Feb. 3rd,pp. 62-3 |
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| 1996 | Smith, Roberta, "Finding Art in the Artifacts of the Masses", The New York Times, p. 43 Stange, Raimar, "A star was born", Kunst-Bulletin, November Herbstreuth, Peter, "Muffelt nach Kase", Der Tagesspiegel, July 8, p.19 Philippi, Anne, "Asthetik der Umgebung", Spex, 6/96, p.46 Seyfarth, Ludwig, "Mein wunderbar Malsalon", Szene, June, p.88-89 Nunes, Joao, "Universalis quer gerar debate e reflexao", Diario Do Grande ABC, p.6 Schreiber, Susanne, "Am Puls der Zeit", Handelsblatt, 19/20, April, p.G3 Herbstreuth, Peter, "Von Napoleon bis Curt Cobain", Der Tagesspiegel, April 20, p.84 Smith, Roberta, "Screen", The New York Times, Feb. 2, p. C26 Smith, Roberta, "Art after a fashion", American Vogue, Jan, p.164-165,184 Savage,Jon, "True Brits", The Guardian, December 20, pp. 2-4 Savage, Jon, "Boys Keep Swinging", Frieze, November/December, pp. 58-61 Universalis, catalog, Sao Paulo Bienal, Sao Paulo, Brasil Schwendener, Martha,"Catch My Drift?", Time Out New York ,December 12-19, p.40 Bonami, Francesco, Interview, Flash Art, March/April, pp. 84-86 |
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| 1995 | Adams, Brooke, "Salon and on", Artforum, Summer, p. 18 Muir, Gregor, Review, Frieze, October, pp. 70-71 Decter, Joshua, Review, Artforum, May, pp. 101 Smith, Roberta, "Blood and Punk Royalty to Grunge Royalty", The New York Times", March 24, pp. C32 |
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| 1994 | Ettal, Meicost, Ouverture, Flash Art, November, pp. 88 Saltz, Jerry, Review, Art in America, May, p. 122 "Don't Postpone Joy of Collecting Can Be Fun", catalogue, Austrian Cultural Institute, essay by Francesco Bonami |
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| 1993 | catalogue, Hotel Chelsea, New York, essay by Douglas Blau Hoptman, Laura, Balkon, September |
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| 1992 | Gahnal, Rainer, Review, Pig Magazine, #4 | |
| Publications | ||
| 2007 | Davidson, Susan, "Art in America: 300 Years of Innovation," published by Merrell, New York |
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| 2006 | Mézil, Éric, "Figures de l′acteur: Le Paradoxe du comedien," published by Editions Gallimard, Paris "Elizbeth Peyton Painting s 1994-2002," published by Gavin Brown's enterprise, New York, Sadie Coles HQ, London, and Gladstone Gallery, New York; texts by Nicole Krauss and Meicost Ettal Nakanishi, Hiroyuki, "Essential Painting," published by The Naitonal Museum of Art Osaka, Osaka Richer, Francesca and Matthew Rosenzweig, "No. 1: First Works by 362 Artists," published by D.A.P., New York "Elizabeth Peyton: Prints 1998-2006", published by Two Palms Press, New York, and Gavin Brown's enterprise, New York Pierini, Marco, "Good Vibrations," published by Giunti Editore, Florence, Milan |
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| 2005 | Grosenick, Uta, Art Now: Vol. 2, published by Taschen, Cologne, London, L.A., Paris, Madrid, Tokyo "Vitamin D": New Perspectives in Drawing, Phaidon, London, New York "Elizabeth Peyton", published by Rizzoli, New York (with texts by Matthew Higgs, Steve LaFreniere, Dave Hickey, Douglas Blau, Meicost Ettal, Linda Pilgrim, Jerry Saltz, Roberta Smith, and Giorgio Verzotti) "Getting Emotional", published by ICA Boston, text Nicholas Baume Nick Mauss and Elizabeth Peyton, published by Glenn Horowitz Bookseller, East Hampton, NY |
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| 2004 | "Contemporary Painting", published by Colby College Museum of Art, Waterville, ME | |
| 2003 | "Elizabeth Peyton", published by Two Palms Press, Italy, text by Steve Lafreniere | |
| 2001 | "ABBILD Recent Portrait and Depiction", published by Springer-Verlag/Wien, Austria, edited by Peter Pakesch, Steirischer Herbst "Prince Eagle: an artist's book", published by powerHouse Books and Thea Westreich, edited by Elizabeth Peyton |
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| 2000 | "Elizabeth Peyton, Tony Sleeping", published by Druckhaus Cramer, Germany, edited by Susanne Gaensheimer | |
| 1999/2000 | "Figuration", published by Ursula Blickle Stiftung, Kraichtal, edition Oehrli | |
| 1998 | "Craig", published by Farbo Druck, Cologne, Germany, edition Salzau and Verlag der Buchhandlung Walter Konig "Young Americans 2, New American Art At The Saatchi Gallery", published by The Saatchi Gallery, London, Great Britain (essays by Brook Adams and Lisa Liebmann) "Elizabeth Peyton", published by the Museum fur Gegenwartskunst Basel, Kunstmuseum, Wolfsburg (essay by Dave Hickey) |
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| 1997 | "Live Forever", published by Composite press, Tokyo, Japan (essays by David RImanelli and Meicost Ettal) "a/drift", published by the Bard Publications Office, Ginger Shore, New York, edited by Joshua Decter "Some Kind of Heaven", published by Kunsthalle Nurnberg, Germany "Coming Home Again", SVA Fine Arts Alumni: the 80s to 90s, published by the School of Visual Arts Press Copyright, edited by Jeanne Siegel |
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| 1995 | "Campo", published by Desktop publishing, Editoday, Torino, (essay by Francesco Bonami) "Space Odyssey", published by Bastas-Plessas, Greece, Athens (essay by Helena Papadopolous) |
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| Public collections | ||
| Carnegie Museum of Arts, Pittsburgh, PA Centre Georges Pompidou, Paris, France Kunstmuseum, Wolfsburg, Germany Museum fur Gegenwartskunst, Basel, Switzerland Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY New Museum, New York, NY San Francisco Museum of Modern Art, San Francisco, CA Seattle Art Museum, Seattle, WA St. Louis Art Museum, St. Louis, MO Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY |